Luc Ferrari Quotes
I probably went to musique concrete concerts - though not the very first ones - at the beginning of the 50s.
Quotes to Explore
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Even as a kid, I read 'Jung – Reflections and Individuation In Fairy Tales'; all the inner circle of Jung was a real huge thing for me.
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Somebody once told me I shouldn't try to change Hollywood. That isn't my point at all. I don't want Hollywood to change me.
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I have a blog in Chinese, which you can follow, Chinese signs. But I don't even update at all, often I don't.
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Well, it's still another two-day competition, so it's really important to show that you're ready. Every meet is really important right now. You've got to keep showing you can hit.
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The best time to expand is when people are asleep at the wheel.
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I've spent my life navigating through sensitive issues. Not wanting to upset people.
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I'm showing the younger generation your career doesn't have to be over when you're 16-years-old.
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The Western poet and writer of romance has exactly the same kind of difficulty in comprehending Eastern subjects as you have in comprehending Western subjects.
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When I had my television show, 'Barbara Mandrell and the Mandrell Sisters,' it was my high hope to convert people to country music. It is wonderful and contagious!
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I worked in SRK and Salman Khan's films as a child artiste, so Bollywood has always been on my radar.
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I want to have a career in 10, 20 years, so it's harder now, and maybe more stressful now, but in the future, hopefully it will all pay off.
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The communication of the dead is tongued with fire beyond the language of the living.
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There has always been a saying in baseball that you can't make a hitter, but I think you can improve a hitter. More than you can improve a fielder. More mistakes are made hitting than in any other part of the game.
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When you take a shower in space, you have to press the water onto your body to clean yourself, and then you gotta vacuum it off.
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Very few of the early Italian humanists were really humane.
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People are going to go where they get characters that they remember.
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I had a nervous breakdown when I was 17 or 18, when I had to go and work with Marky Mark and Herb Ritts. It didn't feel like me at all. I felt really bad about straddling this buff guy. I didn't like it.
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I am not interested in slickness for the sake of slickness.
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It's all so personal, isn't it? It's hard to talk about work without talking about things that are personal. Work is personal. I don't want to talk about my personal life, but it's on my mind, and it's in my work.
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Vienna is cold, and dark, and sad. It is laid out as though for a royal parade; the streets are wide and they're flanked by monumental buildings, decorated with the faces of angry gods. And on the roof are statues of national heroes, wielding weapons of destruction.
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People enjoy being read to, beginning from when they're little.
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I enjoy building more than managing.
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I probably went to musique concrete concerts - though not the very first ones - at the beginning of the 50s.
