J. Robert Oppenheimer Quotes
Quotes to Explore
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Live TV would terrify anybody.
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It's like driving your car. If you drive too fast on the highway, you will topple, so you better maintain your speed. Life is similar to that, and that's the way you have to control your head.
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This process is alchemy: its founder is the smith Vulcan.
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As an actor, you read so many scripts and parts written for Asian-specific characters, and you see a lot of stereotypes and a lot of one-note characters, especially in comedy.
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I'm lucky in that I don't like sweet things at all. My father loved cakes to such a degree that he kept forcing them down my throat when I was little, and it put me off for life. He had terrible cholesterol, poor thing.
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Let that which stood in front go behind, let that which was behind advance to the front, let bigots, fools, unclean persons, offer new propositions, let the old propositions be postponed.
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There is no necessity to separate the monarch from the mob; all authority is equally bad.
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Planning to write is not writing. Outlining, researching, talking to people about what you're doing, none of that is writing. Writing is writing.
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The first play I saw was a Samuel Beckett play which was great.
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Growing up, I was always in normal public school which is very important in my eyes.
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Change is inevitable, and you can't stop that change. You say, 'Wait, stop,' and it just drives right over you.
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Films like 'Bond' fund training schemes for film technicians of the future, and working on films themselves provides a great training ground for budding directors and cinematographers. If there's no money there for films to be made, it's like a house of cards, it all comes tumbling down.
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Leeks, like other oniony things, reach a certain peak when fried. It's the subtle sweetness that suddenly becomes evident and works so well with their creamy texture.
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It was a great thing to be a human being. It was something tremendous. Suddenly I'm conscious of a million sensations buzzing in me like bees in a hive. Gentlemen, it was a great thing.
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As scary as it is, I like making real, direct eye contact with people from the stage. In a sense, it's like modeling: that feeling of locking in and projecting some kind of emotion to try to captivate people.
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Africa is the future.
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Maven is very much a haunting presence in 'Glass Sword.' His influence is everywhere, and he dogs Mare and Cal like no other. He's my favorite character to write because he's so complex, but also because he affects everyone else so deeply. He's kind of like the source of gravity. Everyone moves around him and what he's done.
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Tori Amos had a major influence on how I craft words in a song. Until I heard 'Little Earthquakes' all my lyrics used really obvious analogies like rain for tears.
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There's nothing so similar to one poodle dog as another poodle dog, and that goes for women, too.
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When I was younger, I was a bit of a feisty fighter type of guy. That's something my father told me as I was becoming a man: 'You don't go picking fights, but you don't run from any of them.' And I was more afraid of my father than anybody else I had to fight.
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Almost every girl falls in love with the wrong man, I suppose it's part of growing up.
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Nothing in human affairs is worth any great anxiety.
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No man should escape our universities without knowing how little he knows.
