Luis Suarez Quotes
Quotes to Explore
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The fundamental difficulty that most novelists face when they are trying to adapt their own book into a screenplay is realizing that a screenplay is a completely different way of storytelling, and it has limitations.
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It was great being together as a band, but much more difficult being brothers than it was being in a band.
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Why grab possessions like thieves, or divide them like socialists when you can ignore them like wise men?
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You know, we've got to this place, where you go to a movie for one particular surgical fix. So, it's like, I want the pulse-pounding action, or the insane falling-off-my-seat comedy, or the devastating, heart-breaking drama.
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The central premise behind Oslo was that if Arafat were given enough legitimacy, territory, weapons and money, he would use his power to fight terror and make peace with Israel.
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I would like to thank the 49 actors who appear on screen in 'Whiplash' for realizing Damien Chazelle's vision so beautifully.
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I'm a girl from Queens. I've never gone, 'What am I doing today? Oh, I'm gonna grab a gun and learn how to use it.'
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A different script calls for different things. It always takes me a long time to get to know the part, and know the logic behind the words. I have to be with the script for quite a long time before things start to fall into place, before they become part of the character.
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The oil patch pays good. They're decent jobs paying between 50 and 70 thousand a year. Fracking has a big impact on the oil consumption in the United States.
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There's always a reason not to do anything... to flee the need to make decisions.
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Before the phantom of False morning died, Methought a Voice within the Tavern cried, 'When all the Temple is prepared within, Why nods the drowsy Worshipper outside?'
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This is not a dictadura dictatorship/hard rule but a dictablanda soft rule.
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I am for doing good to the poor, but I differ in opinion of the means.
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'Everything is art. Everything is politics.'
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I've always wanted a black girlfriend. Not as a joke, just so when we sixty-nine I can call it Yin-Yanging.
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To support my brothers and me, my mother got a job so menial that we never discussed it.
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I'm actually rubbish at selfies. I always feel a bit ridiculous doing it unless I'm with a bunch of friends, where I'll usually stand at the back with a huge grin on my face!
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The male image has been so pulled down by situation comedy in the last 15 years, it is frightening. I don't like what has happened to the American male.
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I felt intimidated the entire time I was in school by my teachers and classmates. But I just knew acting was something I wanted to do.
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I don't want stuff that's compromising to me as a person, but as long as it has a pathway to redemption and has meaning, there's something solid in that in terms of the way I experience it.
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I hate period films - and there are plenty of them - where they say, "Let's not do contemporary language because the audience won't understand it;" "let's not make the girls wear corsets, because it's not sexy" and all that sort of thing. Gradually it disintegrates into a no man's land: you don't really believe it's a period scene and it doesn't feel like it's now because it's not now. You don't feel it's quite real and you don't believe in it.
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I wake up in the morning, I do a little stretching exercises, pick up the horn and play.
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I want to do things right. I really, really do.
