Ansel Elgort (Ansølo) Quotes
You can't be a good actor if you get too affected by fame. Because then you're not real, and you're not really wanting more. You look at a lot of actors who, before they were famous, did a lot of amazing work, and once they got too big, it just got off.
Quotes to Explore
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I joined the Army at 19 as a soldier and spent about four and a half years with them. Then I broke my back in a freefall parachuting accident and spent a year in rehabilitation back in the U.K.
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I think in every picture that I've ever made. Everything that I've done torments me. I really would like another chance except I'd be too embarrassed to ever really try to do them again and no one would want to see the same movie just done differently.
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I could be the best looking guy in the Duma, but that's only because all the other guys are over 60.
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I try to live my life in a holistic way, show that all of it intersects because I'm coming from the same place. Now, at the core of it, I'm just trying to connect and be there, so I'm trying to be there for my family, my wife, my kids, my friends.
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I think most families have a few secrets or some strange aspect to their history. We're all fascinated by family dynamics, but I'd much rather sit in an audience and watch someone else's problems!
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What's interesting about Stephen Baldwin is that me and Dana Gould were originally cast for 'Bio-Dome' – but Pauly Shore and Baldwin ended up doing it. So there's a little movie trivia for ya.
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Hollywood, the business, would be just fine if someone were to destroy the Hollywood sign. The city's there is the airport - its point of entry and exit, and in some ways its identity.
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A Persian army being then subject to great inconveniences, for their horses are tied and generally shackled to prevent them from running away, and if an alarm happens, a Persian has the housing to fix, his horse to bridle, and his corslet to put on before he can mount.
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I'm an artist at heart.
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I wasn't trying to top Pulp Fiction with Jackie Brown. I wanted to go underneath it and make a more modest character study movie.
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I never underestimate my opponent, but I never underestimate my talents.
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You don't drown by falling into water. You only drown if you stay there.
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I can't exactly say why there's not much protest music to speak off. And I know there are acts out there still putting a message in their music.
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Every character I've ever played, I always try to take him right to the edge and not allow him to fall over, but directors have a tendency to pull me back a little bit.
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I found college useful for a lot of other reasons. It exposed me to a great many influences I wouldn't otherwise have encountered, and gave me a lot of time with some very intelligent people whose thoughts are still with me.
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Sometimes, America, when something's too bad, we don't want to look at it. We want to turn our head.
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I like to play a strong woman, but a strong woman can also be very fragile and vulnerable at the same time.
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There is no way to prosperity, prosperity is the way.
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Half the time, people will be abusing me on Twitter, and half the time, somebody will be praising me. So either it will go to my head, or I will take it to my heart. So better I stay away from it.
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I work with directors who haven't had the experience of being on sets as much as I have. I feel like, in a way, if it's an independent movie, I can teach the crew to kind of relax, or create a vibe. It really is about a vibe.
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A lot of people judge me because I like to, you know, look good, but I grew up in fashion.
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There's always a backlash when you challenge people's convictions and their heroes.
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Body language is essential for an actress, even if you don't use your body in an athletic way. Just to be free, to use it like your voice. A body can be small and have incredible violence. A body talks.
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You can't be a good actor if you get too affected by fame. Because then you're not real, and you're not really wanting more. You look at a lot of actors who, before they were famous, did a lot of amazing work, and once they got too big, it just got off.
