Claude Monet Quotes
Quotes to Explore
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Poaching white fish in moderately hot oil guarantees soft-textured flesh and allows you to prepare a sauce calmly, without the usual panic about overcooking the fish.
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The world at large doesn't always make sense to me, and there are safe havens. Linda Manz in 'Out of the Blue' is one of them.
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I miss my parents. But still, my granddaughter, my daughter, my grandma, you know, so it's very important for me. You lost your parents, but a new baby comes. It's like the cycle of fashion.
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There are lots of wonderful old Italian actors. You don't need to take an Egyptian to play an Italian actor.
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If you think about it, you can have the best CGI, but you can always tell that it is CGI. Your brain can spot that is not real even though you think it looks cool. Your brain knows the truth, so you don't jump and you don't scream. It was very important for me to expose the audience to real elements.
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I have behind me not only the splendid traditions and the annals of more than a thousand years but the living strength and majesty of the Commonwealth and Empire; of societies old and new; of lands and races different in history and origins but all, by God's Will, united in spirit and in aim.
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Religious people often prefer to be right rather than compassionate. Often, they don't want to give up their egotism. They want their religion to endorse their ego, their identity.
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In many, many parts of the world, being a female, you're really just wallpaper. If you take care to blend in, no one would think in a thousand years that you were doing anything suspicious.
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A lot of guys try to mingle with me because of who I am. If I encounter a guy with a clean heart, I will go by my instincts. I guess my man won't be from the film industry.
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I think the key for any kind of artist - and this transcends music - is a certain degree of authenticity and sincerity.
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There were many films made for both cinema and television, and in general I don't connect them very much with our books. I have one favorite: 'The Man on the Roof' by director Bo Widerberg, which was based on 'The Abominable Man.'
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I am a self-taught guitarist. I just try to piece together passages that have some melodic value!
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I live in the present. When I finish a film, it is behind me. My reward is in my work, not in a lot of old memories.
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A lot of times characters are combinations of people I come across in life. I people-watch a lot.
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I suppose I have played a lot of put-upon women, but it's never bothered me. They've never been weak – they've always got steel in them.
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Society is the body; individuals are its members, its limbs. Just as the various limbs help and co-operate with one another and thus are happy, so each must unite with others in being helpful to all in thought, speech and action... One may see to the good of one's own group, i.e., the group that is immediate to him, and then proceed to others.
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The king died and then the queen died is a story. The king died, and then queen died of grief is a plot.
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George W. Bush is long gone, and with him the idea that 'Israel can do no wrong.'
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It's different for every project. Some parts are quicker than others to get and know; sometimes right up until the last moment you're just praying that something will click. But you can only do a certain amount of work and then at some point you've got to think: 'OK, I'm just going to have to leap now.'
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My mother always wanted to give back.
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I remember when 'The Right Stuff' opened in Hollywood. I got dressed that morning and drove my car down to the theatre that it was playing on, thinking that there would be mobs of people outside. When I looked, there was nobody there.
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That's really my goal now. I'm trying to be a positive role model to my kids and to just enjoy this ride, because it's hard. It's hard to enjoy it when you're in it.
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I have this weird tropism for islands. Take me to an island as far from New York as I can possibly go.
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I must have flowers, always, and always.
