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I always told my dad I'd play professional football.
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I don't believe in reincarnation. I feel like we're here for such an appallingly brief period of time. I believe we each get this one trip, and if we're really, really fortunate, maybe we get 70 or 80 years on Earth.
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If your mind is anything like mine, it can stumble through a half-dozen different thoughts in a heartbeat.
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I subscribe to the theory that reading a book is similar to walking a trail, and I'm most comfortable walking when I can see where I'm going and where I've been. When I'm reading a printed book, the weight of the pages I've turned gives me a sense of how far I've come.
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I did go to an MFA program, at Bowling Green State University in Ohio. For me, it worked perfectly. It was a small program. They only take five fiction writers a year, and they fund all of us - you don't go into debt to get an MFA. It's not like getting an MBA - you're not going to buy yourself out.
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That's the power of fiction, that it can take the collective and make it personal.
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Lewis Robinson's first novel, 'Water Dogs,' is stuffed with snow. Open practically any page of this book, and crystals will shake out.
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Great writers probably shouldn't be ranked, at least not by me.
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You need to be imagining all the time, imagining yourself outside the walls of your own skull.
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Anyone who has spent a few nights in a tent during a storm can tell you: The world doesn't care all that much if you live or die.
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I feel like you are allowed in fiction to embrace imagination and try to enter other worlds. And I feel like you should push yourself to try to persuade your reader that you have the authority to engage with people who, you know, lived in the past, who live in the future, other genders, other places, other cultures.
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The preciousness of life and the changes of weather and the beauty of seasons - all those things have always sort of dazzled me.
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When people ask for book recommendations, I say this: Do some math. If you read one book every week for the rest of your life, and if you're lucky enough to live for 50 more years, you're only going to get to 2,600 books.
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I originally got very interested in memory in high school when my grandmother came to live with us. She had been diagnosed with dementia. It was the first time I had heard the word 'Alzheimer's disease.'
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I found my first novel difficult. I don't want to make it sound like it's any more difficult than driving a cab or going to any other job, but there are so many opportunities for self-doubt, that you just kind of need to soldier on.
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My sister-in-law is a painter, and I'll say, how long did it take you to paint that painting. She'll say, It took me maybe three days, but it took me all my life to get the skills to paint that painting.
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If you're lucky enough to have 70 years of literate adulthood, and if you read one book every week, you're still only going to get to 3,640 books.
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Indeed, every book on my shelves is a key to a little vault of memories.
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Gold and diamonds are nice, but clean, crisp, controlled water has long been the preeminent hallmark of the rich.
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Short stories are wonderful and extremely challenging, and the joy of them, because it only takes me three or four months to write, I can take more risks with them. It's just less of your life invested.
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I grew up in Cleveland, so my heart got attached at a young age to the freight train of sadness that is Cleveland sports.
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I write reviews of science books for the Boston Globe, so I like to give science books.
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Memory is this one attempt to not be erased by time. And I think that ties back to what I learned watching my grandmother lose her memories is, you know, we are all facing erasure eventually.
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I kind of do all of this writing as a way of thinking and learning. I'm sure it's similar to being a journalist: You get to learn, and that's the greatest kind of job.