Antje Traue Quotes
I wanted to play the piano, but my fingers weren't long enough, so I took up the guitar.
Quotes to Explore
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You can't have an up without a down, a right without a left, a back without a front - or a happy without a sad.
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What's great about stand-up is that you can say whatever you want and go around the country, and sometimes the world, and work on it and see how people react. You don't need Standards & Practices or notes from lawyers or producers to tell you what's funny.
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People are really talkative in New York. Someone always comes up to me and says 'Hi' during the day.
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If I had no sense of humor, I would long ago have committed suicide.
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Growing up in a small town gives you two things: a sense of place and a feeling of self-consciousness - self-consciousness about one's education and exposure, both of which tend to be limited. On the other hand, limited possibilities also mean creating your own options.
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If I wasn't an actress, I'd never wear make up. I liked being ready in half an hour and arrive on the sets. Even for a no-makeup look, if one has a dark under-eye on a particular day, a little makeup is used. I had no scope for that as well.
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We who grew up with 'drop and cover' drills know all too well what wonders science can bring us, and we like to see the guy in the white lab coat suffer a little. Or a lot.
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I grew up watching my mom and dad selling rooms in our motels. We had CEOs coming to our house so that my dad could persuade them to have their executives stay in Hyatt hotels.
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I moved from a mountain with one traffic light to New York City when I was 17, and it was an amazing, eye opening, creative adventure. I would walk through the streets of Manhattan looking up at these huge buildings, amazed that I didn't know a single person in any of them.
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People always think they're in the middle of a revolution while they tend not to realize the enormity of a change that has happened in the past. The telegraph was a revolution, but who looks at it that way these days? The telegraph sped up the transportation of messages over long distances by a huge factor.
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Let's be cautious about dreaming up extreme scenarios. The situation in Iraq is still salvageable.
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Nobody wants to be on food stamps, but when my family lost everything, we were grateful for it. I was grateful the program was there so I could concentrate on my schoolwork and not on my empty belly. We were grateful that we had the support we needed to roll up our sleeves and rebuild our lives.
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The West is in for a long, irregular confrontation - not with terrorism, which is simply a tactic, but with radical Islam.
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I had a blast on tour with Little Big Town. We got to play some beautiful rooms around the country - some really amazing old theaters. And it was just cool to see a band that's been together for so long.
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Lebanon was under Israeli occupation, up to its capital, but we did not consider that a disaster. Why? Because it was very clear that there are ways to resist.
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When my phone pops up with Dierks Bentley, I'm like, 'Oh my gosh!! Okay, wait. He's supposed to be, like, my friend. I'm supposed to be cool.'
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I pick up my pen. It flows. A building appears. There it is. There is nothing more to say.
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To play the trumpet, you must train your lips for a long time. When I was twelve or thirteen I was a good player, but I lost the skill and now I play very badly. I do it every day even so. The reason is that I want to return to my childhood. For me, the trumpet is evidence of the sort of young man I was.
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I worked as an interior designer. I worked as a furniture salesman. I worked as a financial adviser. I worked as a painter and decorator - that wasn't for very long. I was a baker for about four-and-a-half years.
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I believe as long as we allow conditions to exist that make for second-class citizens, we are making of ourselves less than first-class citizens.
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Life is a long preparation for something that never happens.
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We are living beyond our means. As a people we have developed a life-style that is draining the earth of its priceless and irreplaceable resources without regard for the future of our children and people all around the world.
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I worked with Ismail Merchant on 'The Mystic Masseur,' I did 'Sakina's Restaurant,' I've done plays, I've been on Broadway, I've done movies, I've done TV... but nothing has had the pop culture penetrative impact as 'The Daily Show' has. It's the nature of the beast.
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I wanted to play the piano, but my fingers weren't long enough, so I took up the guitar.
