Ben Brantley Quotes
I write the occasional entry for the 'Times' Theatre blog, especially when I'm in London and seeing two shows a day, but I don't tweet. I don't want to have to express my opinion in 140 characters. That's like writing haiku. You need a certain amount of legroom to review a play properly.
Quotes to Explore
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When I was around eight, I learned how to touch-type at school, and I received a computer as a present. I started writing plays, and for many years I thought I would be a playwright.
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With the release of her fourth album, 'Red,' in 2012 and a handful of highly publicized romances, Taylor was criticized by the press and other entertainers for such sinful acts as dating people and writing songs about it, gaining a reputation as boy-crazy and love-ridden.
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Actions yield result by the ordinance of God as He wills.
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I taught English and history, so my education for that really helped prepare me for writing historical fiction.
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Public opinion is the thermometer a monarch should constantly consult.
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The problem with writing a monthly book is that you're going through your work like a man running for a bus, red-faced and out of breath. There isn't time for reflection or critical self-examination.
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I've had those people very interested in my writing. Since I think of myself as a composer, I feel really good. I've had lots of guys call me up. I've gotten two or three commissions to write things. I've written lots of movie scores.
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Writing requires the concentration of the writer, demands that nothing else be done except that.
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I am disillusioned enough to know that no man's opinion on any subject is worth a damn unless backed up with enough genuine information to make him really know what he's talking about.
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We had a few non-fiction books at home, but my dad was of the opinion that fiction was a complete and utter waste of time because it wasn't real - so what was the point of reading it?
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Honest criticism, I suppose, has its place. But honest writing is infinitely more valuable.
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When you start writing about the stuff that is the central experience of your own life, you can talk about whatever you want, in whatever way you want.
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I have to write what I can write, and writing the text of a picture book is like walking a tightrope, if you ramble off... As my friend Julius Lester says, 'A picture book is the essence of an experience.'
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Writing my first book, I think in hindsight I went into it saying, 'It's gonna sell.' I was earning enough to scrape by sometime around a book or two before 'Tell No One.' I moved up from $50,000 to $75,000, then $150,000 for each book. I had never thought I would be doing anything else. I had enough encouragement.
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I would be pleased if someone would invent a pill to remove my impatience, moodiness, and occasional bursts of anger. But if they did, I wouldn't be able to write my novels or paint.
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I wasn't one of those kids who grew up wanting to write or who read a particular book and thought: 'I want to do that!' I always told stories and wrote them down, but I never thought writing was a career path, even though, clearly, someone was writing the books and newspapers and magazines.
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Writing for the theater, you find yourself living a nocturnal life.
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'Float On' was a fine song, but I was still writing the lyrics on the last day we were working on it and deciding if it was something we wanted to put on the record.
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Real lobbying reform must end the practice of corporate lobbyists writing our laws.
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I never walk into the studio and say, I'm going to write a song called... 'X' or called 'Slow Me Down.' I write a ton of lyrics, often the title is somewhere in those 10 pages of... I call it brain vomit. It's kind of like whatever comes out of my head and I'm unabashedly just writing it down.
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Writing original songs is much, much harder (I think) because you only have yourself to conjure up EVERY single moment a listener is going to hear. It's a craft that goes directly from your brain to their ears. You can never be sure that what you're writing is gonna be good enough to keep a listener engaged and truly experience something. It's a shot in the dark.
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I used to do a lot of comedy. I don't know what happened. I think it's my face.
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Who is the third who walks always beside you When I count, there are only you and I together But when I look ahead up the white road There is always another one walking beside you
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I write the occasional entry for the 'Times' Theatre blog, especially when I'm in London and seeing two shows a day, but I don't tweet. I don't want to have to express my opinion in 140 characters. That's like writing haiku. You need a certain amount of legroom to review a play properly.
