Arlie Russell Hochschild Quotes
The emotional magnets beneath home and workplace are in the process of being reversed. Work has become a form of 'home' and home has become 'work.'
Quotes to Explore
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I met wonderful people playing in the NBA. Whether it is the officials, the scorekeepers, all the people who work for the NBA, not just for the Lakers, but I'm talking about just for the league itself.
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I love what I do. And why not be nice? I mean, I've seen people who work and they're apparently not enjoying it, and they're making sure everybody knows it.
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I enjoy going out by myself... always have, always will. I don't have security guards, and, for the most part, I enjoy meeting new people. I see myself as a regular guy who likes playing video games with his nieces and nephews and poker with his family. I don't have an art collection or take exotic vacations. I enjoy being at home.
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When you start to think about politicians, you've got to realize these are strange creatures. Other than the fact that they can't tell directions, and they have very strange breeding habits, how do you actually work with these things?
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Our parents came home one day and heard us, and they thought it was the radio, but our grandfather told them it was us.
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If my own current husband was suddenly a stay-at-home dad, it would be emasculating. That would be hard for me.
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Madonna can still produce a catchy pop song, but she hasn't expanded her artistic vocabulary since the 1990s. Her concerts are glitzy extravaganzas of special effects overkill. She leaves little space in them for emotional depth or unscripted rapport with the audience.
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I am very much aware of my own double self. The well-known one is very under control; everything is planned and very secure. The unknown one can be very unpleasant. I think this side is responsible for all the creative work - he is in touch with the child. He is not rational; he is impulsive and extremely emotional.
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By visiting patients in their home, by helping them come to terms with their illness, I could heal when I could not cure.
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When I was 28, I made this film called 'Drinking Buddies' that I starred in and produced, and we improvised the entire thing, and it was a complete exercise in freedom of expression in making something for only the purpose of making it, not for recognition or money or anything else, and it's still my favorite thing I've ever done.
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There's no possibility that foresight work will ruin my creativity. It goes to a different area than the creative wellspring of SF.
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Out-innovating them is the way to beat China. And to do everything that we do in this country to support innovative policy, that drives innovation and new products and more jobs and creates jobs. You can't - you can't put a wall up around here. We tried that in the '30s. It didn't work.
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I don't shop online, but my wife buys everything at home. We buy sea crabs, fresh crabs, all kinds of things.
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I had no album title, and the album is like a journey in that it's a complete body of work. It's not just a couple of catchy songs and filler, so I felt that I needed to capture the essence of the album.
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Music to me is so internal. It's physical and it's emotional. Whereas fashion is so much about the external that it's almost like a break. It's not inner turmoil. It's total escapism.
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I feel like I've made good friends with people I've worked with, but in terms of lasting inspiration, it is probably Matthew Vaughn who directed 'Kingsman' who's been really supportive, loyal to me, and been a really good person to work with.
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God was satisfied with his own work, and that is fatal.
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My goal in the new administration is to engage all of the stakeholders, everyone who can help us meet the challenges of the 21st century, and ensure that we work together.
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I'm the first Icelandic director who started working on U.S. movies. There are others behind me now, but it's like when Bjork opened the door for Icelandic musicians to work abroad. We're such a closed-off country, but Bjork broke the spell. And I'm glad it was a woman who did it. She showed us we could break this barrier.
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'Snow White and the Huntsman' was - I came in before they started shooting and basically worked on Charlize Theron's character for the most part. I guess I probably worked four or five weeks on that one and stayed during production a little bit with them.
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Success as a result of industry is a peasant ideal.
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Some people think they are concentrating when they're merely worrying.
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I read a bit of the Icelandic sagas. They're fascinating in that they are completely ordinary. The farmer will go off into the hills and fight a troll, and then go back and do ordinary things. It's an odd mix of fantasy and reality.
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The emotional magnets beneath home and workplace are in the process of being reversed. Work has become a form of 'home' and home has become 'work.'
