E. O. Wilson Quotes
The real problem of humanity is the following: we have paleolithic emotions; medieval institutions; and god-like technology. And it is terrifically dangerous, and it is now approaching a point of crisis overall.
Quotes to Explore
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There was this old soccer game called 'Goal' for the old Nintendo, and ever since then, I've played everything from the old school games to the 360.
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There is one confrontation scene toward the end of the picture. In the middle of the scene, I thought, That's Sean Connery! I don't know how else to describe Sean Connery. I still feel that way.
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Bush already gave obscene tax breaks to people like me and Warren Buffet, and we are saying it's not fair.
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I feel funny about owning art. I don't really want to say: 'Wow, come and see my Monet - it's in a dark room at the bottom of my cellar.'
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There is a lot of opportunity sitting in global healthcare business. I think there is a strong opportunity to build upon for further growth.
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One of the things that has been very difficult in Libya is the sense of uncertainty - the sense that they haven't actually finished the revolution, that there was still a great deal of uncertainty. That uncertainty has made Libya harder for business in terms of oil and other things as well.
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It's nice for me to be in touch with a younger generation.
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I like to play dress up, I'm in love with fashion.
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Only a few good leaders have paused to reflect seriously on being leaders.
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At the high school level, the coaches get these kids in revenue-driven sports and take them away from baseball. There's so much pressure on these kids to even play spring football. We need to get the African-American players back in the game, which I think would make it not only a better game, but more exciting and entertaining for everyone.
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I'm inhabiting a life I'm not supposed to be in... and at certain times in my life, I have felt a wrongness. And not a moral wrongness but a sense that this isn't what I was born to be doing.
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I'd always wanted to do a Marvel project, and I'd always imagined getting to play one of the superheroes because it's such a hard thing to get. It's the parts that only go to a few people. The flip side of that is the antagonists are pretty awesome.
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All British people have plain names, and that works pretty well over there.
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I want to be able to do work where I think it's very forward, but I also want it to exist in a big way and have an effect on a lot of people.
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At the time, when you're being dissected and judged it's pretty brutal, but in hindsight it's great and - it sounds cliched - you do come out the other side better and stronger.
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That's the thing with sci-fi and action roles. You have to play the danger as real. If you don't, you end up with egg on your face. You have to commit. You can't think about how stupid it might look without the special effects.
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We take a lot for granted as second wave feminists, what our mothers and aunts did for us.
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The trouble with music appreciation in general is that people are taught to have too much respect for music they should be taught to love it instead.
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If you want peace, you don't talk to your friends. You talk to your enemies.
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I knew that for this movie to work it had to be very hot and very real, and it wasn't going to be a case of doing it Hollywood all covered with a nice little sheet.
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I started as a child, in this PBS series 'Voyage of the Mimi,' which led to driving down to New York for 'Afterschool Special' auditions, which led to moving to Los Angeles. I wanted to be an actor. But in L.A., I got into film technology, and I was building cheap editing systems and would edit my friend's acting reels.
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You really have to love the work. You can't look for stardom. That's a by-product.
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It's every teacher's job to be rigorous about constantly being open to new ideas and innovation.
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The real problem of humanity is the following: we have paleolithic emotions; medieval institutions; and god-like technology. And it is terrifically dangerous, and it is now approaching a point of crisis overall.
