Marco Bizzarri Quotes
If you have a culture of respect, creativity flows. You create this energy, and then people have more desire to take risks.
Quotes to Explore
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I am an invisible man. I am a man of substance, of flesh and bone, fiber and liquids - and I might even be said to possess a mind. I am invisible, understand, simply because people refuse to see me.
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When you built television sets, you have all this test equipment. And you'd have all these lines and squares on the screen to test it. So it occurred to me that it might be fun for people to control the lines and squares on the screen.
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The six people who had the biggest impact on my life were all women. Had I been sexist, my life would have been far less fulfilling.
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If you love things or ideas or people that contradict each other, you have to be prepared to fight for every square inch of intellectual real estate you occupy.
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From the consumer perspective, what happened in the U.S. 10 years ago and Europe five years ago is now happening in Russia. People are beginning to understand that e-commerce is easy and safe.
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As heat rises, so does the number of people trying to cool down homes, schools, hospitals and businesses. This isn't just about comfort; it's a matter of public health.
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I think that I have self esteem issues, really. If you really analyse it... People who really like me I have no interest in. The unattainable is always that I want to attain.
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Desire is the very essence of man.
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The economic dynamic in Zimbabwe is perversely robust: while ordinary people suffer, black-market dealers and people with foreign bank accounts prosper, making them powerful stakeholders in the perpetuation of devastating economic policies.
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Any faith of more than 1.6 billion people is going to have some of them who falsely justify actions on that faith.
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Any trend that is developed too fast and is disposed right away is not going to have a lasting impression on the culture, you know?
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If you're having a down time at school and people are bullying you, they don't know you. They don't have the right to have an opinion on you.
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And I do believe that the way to change a society, to uplift people - not just their spirit, but to uplift their society and economic base - is through education.
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Red Dust was about the late 1980s; it was a time of burgeoning hopes and opening up and people searching for new ways.
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I need a spiritual connection - I can make changes, but I can't make miracles - and I need people around me who'll support me and believe in me and tell me the truth and not let me deceive myself into avoiding the what's scary and hard and necessary.
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I think in France, for example, we can say whatever we want about the French, but going out and dining is more about the intellectual moment to share with the people you dine with than trying to figure out what the chef did with that little piece of salmon or lobster and all that.
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I have some friends, and they're super-hipster. And they're like, 'All I wanna do is sing in a jazz bar and to just make it to pay for the rent.' And I'm like, 'Cool... That's not what I wanna do. I want as many people as possible to go to my concert.'
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The only important thing about design is how it relates to people.
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I think that's why often people in creative fields can feel so alone is because there's a constant third eye, that constant watcher.
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Being an actress, I find myself people-watching and I can be quite shy.
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The God-given ability that you're given to use, it speaks as much about who and what I was and was around, and the crowd of people that I chose to live my life with, as it does about me.
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The beginning dictates the direction and you never know where you're going to go ... the mood is what you're looking for, and somehow we always find it.
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I grew up listening to English music.
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If you have a culture of respect, creativity flows. You create this energy, and then people have more desire to take risks.
