Marco Tempest Quotes
I don't try to show off technology in my work. The technology is a means to tell stories, so I think conversations about my work can be had by very large audiences.

Quotes to Explore
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I approach these people from a standpoint of love. How were they loved? How do they love? What's going on in their heart? There's that that I think about with every role.
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We have to surmount the difficulties that face us and work steadfastly for the happiness and prosperity of our country.
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There is no chance and anarchy in the universe. All is system and gradation. Every god is there sitting in his sphere.
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Everything was in stark and dreadful contrast with the trivial crises and counterfeit emotions of Hollywood, and I returned to England deeply moved and emotionally worn out.
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I'd like to, when it's all said and done, say that I have at least a few stories that I feel proud of.
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I'm not on Twitter, and I don't read the papers day to day, so I am somewhat protected. There's this weird separation between your private and public persona.
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I always have bananas with me for energy.
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I don't campaign for the end of the aristocracy or the upper classes; I don't really want to destroy anything at all. I just want more plurality.
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I don't know how anyone could stop working.
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I like to know that when I'm 90 years old, I'm going to be able to look at a song or poem I wrote and say, 'Wow! I remember I was so crazy about this person,' or 'I remember what that day felt like.'
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Prison has humbled me in a lot of ways, because when you go to prison, I became 11 R 2024 you know, I wasn't Ja Rule the superstar. I wasn't any of that. I was just a regular inmate.
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I usually take a two-hour nap from one to four.
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I think that probably the time that people stopped thinking of Starbuck as 'a woman' was when they stopped thinking of the old show.
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The sooner you learn to finish things, and as a matter of course finish your creative endeavors, the better. It took me a long time to learn that.
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Out of the Slow Food movement has grown something called the Slow Cities movement, which has started in Italy but has spread right across Europe and beyond. And in this, towns begin to rethink how they organize the urban landscape so that people are encouraged to slow down and smell the roses and connect with one another.
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Perhaps concentrated wealth will inspire a nation of innovative problem-solvers. But if the view of many economists is right - that it sometimes discourages innovation - then we should worry.
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I've always written about social concerns. My first book was about Spanish Harlem.
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I exercise everyday. I swim, I bike, I run and I go to the gym.
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The actors I respect are the real character actors, who are the real chameleon actors that completely change from role to role. I love Peter Sellers, Alec Guinness and Gary Oldman. They tend to be British, I guess. People who really disappear and transform, I really like that.
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If the day comes when I'm no longer playing Phil Coulson, I'll very gratefully bid him farewell, because it's been an incredible journey, but I've learned that it's best to just be grateful for where I am and make the most out of that opportunity that day.
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Well, anytime I make a movie, I like to load it up with more things than you could ever catch on the first viewing.
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When I write, I lose time. I'm happy in a way that I have a hard time finding in real life. The intimacy between my brain and my fingers and my computer... Yet knowing that that intimacy will find an audience... It's very satisfying. It's like having the safety of being alone with the ego reward of being known.
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I think that there's something about short films that just kind of keeps your muscles sharp.
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I don't try to show off technology in my work. The technology is a means to tell stories, so I think conversations about my work can be had by very large audiences.