Elif Batuman Quotes
Tolstoy didn't know about steampunk or cyborgs, but he did know about the nightmarishness of steam power, unruly machines, and the creepy half-human status of the Russian peasant classes. In 'Anna Karenina,' nineteenth-century life itself is a relentless, relentlessly modern machine, flattening those who oppose it.
Quotes to Explore
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I feel like I've grown up a bit. I'm a bit more confident, and I've been reading more, and I've had a little more time to myself. I went on this writing trip to gather my thoughts about where and who I am in this world, and why we're all here.
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I've never been a partier.
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I believe a lot in monogamy, let me tell you.
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People are patronizing the theatres with renewed enthusiasm - there is an entire picnic-like attitude when families go out to see movies, which is a very good sign. They want to see larger-than-life characters on the big screen and not just watch movies on television or on DVDs.
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I feel very grateful to be alive and well enough to make music.
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You know, as any parent will say, you know, life happens.
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I have a garden. We have fresh tomatoes and strawberries. People are different here... People out in California, they grow up quicker. They have a lot of excess, and they have a lot more things than we do here in Hungary. There, they start doing makeup when they're 13, when we would still be out in the countryside making sausage.
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To understand why dictators have a problem with making peace - or at least a genuine peace - the link between the nature of a regime and its external behavior must be understood.
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I've been designing since I was 8. I started sketching dresses I could wear when skating. I was always involved in all aspects of skating, not just the technique, the choreography, the music, but the visual aspects, too - what I should wear.
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People do not seem to realize that their opinion of the world is also a confession of character.
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The local music community here was dying for a place to record, so we started doing acoustic, folk and bluegrass and then did rock projects for other bands, as well as for my son Tal and my own work.
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I consider everybody who takes themselves seriously to be a little bit off. And Silicon Valley seems to be the most effusive about how important their contributions are to society.
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One thing that is not to be underestimated is American culture's influence on the rest of the world.
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In the quiet moments, the discoveries are made.
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During the Cold War, the U.S. instituted a policy of sending money to governments in poor countries to buy their political loyalty. While studies show that sending aid to foreign governments creates allegiance, it does not lead to economic progress.
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Semiotics is really interested in the questions like, what keeps you watching something, what keeps you - you know, what keeps you listening to a story on the radio? Like, what keeps you turning the pages in a book? What's the pleasure of it that's moving you forward, that's pulling you in and grabbing you and pulling you forward?
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I bartended for a catering company for two or three years.
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I think there's always satisfaction that comes from digging in and telling a story and being on the front line and writing about it. I think there's a venue available if you look. Even print journalism is in good shape in areas.
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Old friends pass away, new friends appear. It is just like the days. An old day passes, a new day arrives. The important thing is to make it meaningful: a meaningful friend - or a meaningful day.
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The face that thou shalt smite in earnest is bound thereafter to be boneless.
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No one repeats a word I say without imitating my voice; it drives me out of my... mind.
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To make it in life, you and your wife need to be in the same business. That has been my problem all along. My wives didn't know what I was doing. I would come back home from the road to a stranger. That's no good.
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We have the responsibility to ensure that our first impulse in foreign affairs is one of bipartisanship.
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Tolstoy didn't know about steampunk or cyborgs, but he did know about the nightmarishness of steam power, unruly machines, and the creepy half-human status of the Russian peasant classes. In 'Anna Karenina,' nineteenth-century life itself is a relentless, relentlessly modern machine, flattening those who oppose it.
