Elise Broach Quotes
Quotes to Explore
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Chris and Toby are far too sane to be upset any more.
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If you want to get your point across, you gotta cuss.
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What do I know of man's destiny? I could tell you more about radishes.
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Every man has a right to utter what he thinks truth, and every other man has a right to knock him down for it. Martyrdom is the test.
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The influence of teachers extends beyond the classroom, well into the future. It is they who shape and enrich the minds of the young, who touch their hearts and souls. It is they who shape a nation's future.
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I almost always start with setting! I have to know the world before I know how to populate it. I have a tendency to play with doors - between life and death, human and monster, mundane and magic - and with 'ADSOM,' I knew I wanted to play with the physical doors between worlds.
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One of the most interesting social trends of the past 20 years is the rise of residential segregation. So rich are living with rich and poor are living with poor.
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How hard a thing is life to the lowly, and yet how human and real!
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I found this national debt, doubled, wrapped in a big bow waiting for me as I stepped into the Oval Office.
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It seems to me the Washington Monument is a symbol of America's power. It has been the symbol of our great nation. We look at the symbol and we say 'this is one nation under God.'
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The death industry markets caskets and embalming under the rubric of helping bodies look 'natural,' but our current death customs are as natural as training majestic creatures like bears and elephants to dance in cute little outfits, or erecting replicas of the Eiffel Tower and Venetian canals in the middle of the harsh American desert.
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A work survives its readers; after a hundred or two hundred years, it is read by new readers who impose on it new modes of reading and interpretation. The work survives because of these interpretations, which are, in fact, resurrections: without them, there would be no work.
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Actually I've never had formal training, I was lucky enough to continue working most of my career and aside from sitting in on a couple of classes, here and there, I basically just use my own instincts.
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The real glory is being knocked to your knees and then coming back. That's real glory. That's the essence of it.
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Many people die with their music still in them. Why is this so? Too often it is because they are always getting ready to live. Before they know it, time runs out.
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I find above all that the expression, 'atonal music,' is most unfortunate - it is on a par with calling flying 'the art of not falling,' or swimming 'the art of not drowning.'
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We see the most striking example of humility in the lamb which will submit to any animal; and when they are given for food to imprisoned lions they are as gentle to them as to their own mother, so that very often it has been seen that the lions forbear to kill them.
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To find out where the origin of symmetry is would be to find out if God exists.
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Live television drama was like live theater, because you moved without thinking about the camera. It followed you around. In film you have to be more aware of what the camera is doing.
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Secrets are the kind of adventure she needs. Secrets are safe, and they do much to make you different. On the inside where it counts.
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My first manager, Suzanne DeWalt, saw a play I was in. She was invited by the director Joan Scheckel, who was my first real acting teacher. Joan was also good friends with my friend Susie Landau Finch, who had first encouraged me to consider acting, so that's how I began studying.
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I took solace in my relationship with God who, along with my dog, was my best friend growing up.
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“A good friend is someone you can count on. No matter what.”
