Rachel Sklar Quotes
Quotes to Explore
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Anything worth doing is worth doing slowly.
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I don't have a place that I call home at the moment because there's no point. I mean, I'm a traveling circus for a while. It's weird. Like, if I wanted to go home, there's nowhere to go. I just go to a hotel. But I've kind of gotten used to it.
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I try to take normal things - whether it's a serious subject or something as obscure as a piece of toast - and put a very weird twist on them.
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When I'm home on a break, I lock myself in my room and play guitar. After two or three hours, I start getting into this total meditation. It's a feeling few people experience, and that's usually when I come up with weird stuff. It just flows. I can't force myself. I don't sit down and say I've got to practice.
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On 'Honeybabysweetiedoll' I used a Whammy, a Boss OC-3 octave box, a Sustainer and a Line 6 DL4 Delay Modeler. That's only on the intro, where all those weird noises are happening.
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Anything looked at closely becomes wonderful.
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My first taste memory is pickle. Even as a kid, I was really weird. I liked chillis. I used to climb up the shelves in my grandmother's pantry. The pickle jar was kept right at the top. One time, I dropped the jar and it broke. I was totally busted.
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In comics, we're all weird together. I can go to a comics convention and not stand out, even though I'm the only woman in a headscarf there, because the guy next to me has a beard and a Sailor Moon costume.
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Technological 'revolutions' don't really overthrow anything - they simply append a new and dynamic market to that which went before.
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I just lucked into this weird, little obscure cameoesque film career. I just love being a part of film history.
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I walked out of 'Harry and the Hendersons.' Harry bugged me; I don't know. Yeah, it's weird because I think Sasquatches are great, but not then. Maybe not that weekend - I don't know. I don't know what it was.
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My first film is coming out, and it's in 3D, and it's 'The Hobbit,' so it's a bit weird.
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I don't fear anything now.
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I mean, it's weird because people lately have been coming up to me and going, 'Oh, my God. '300' is huge.' I'm like, 'Really? It's not done yet!'
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I don't have this weird, natural funny bone that constantly comes out. It's not like my every instinct is to be funny, and I'm always having to dampen that down.
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Repeating is harder than anything else.
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When you get into the granny era, you're lucky to get anything.
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I don't do anything just 'cause nothing else is happening, or for money.
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I read the script for 'Guncrazy' in 1985 and loved it because it was one of the few scripts I'd come across that revolved around a strong female character.
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The last time I looked at September 11th, an American street was a war zone. There was a street in Virginia that was a war zone.
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The light died in the low clouds. Falling snow drank in the dusk. Shrouded in silence, the branches wrapped me in their peace. When the boundaries were erased, once again the wonder: that *I* exist.
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Ted Williams, an extraordinary hitter in his day, has said the swing starts in the hips, and Sosa arrived with one of the strongest lower bodies in the game.
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The freshest moments in my films have always been with unknown actors.
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Is there anything about the JonBenet Ramsey case that isn't weird and disturbing?
