ASAP Rocky Quotes
Quotes to Explore
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We no longer dare to believe in beauty and we make of it a mere appearance in order the more easily to dispose of it.
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Nevertheless, there is another threat on the horizon. I see this threat in environmentalism which is becoming a new dominant ideology, if not a religion. Its main weapon is raising the alarm and predicting the human life endangering climate change based on man-made global warming.
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We love those who know the worst of us and don't turn their faces away.
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My first published work was when I was 19, in 'Playgirl.' It was an odd experience but exciting.
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We are in favor of greater free markets.
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It's more like can I build a group of characters and can I tell some universal truths that feel real and aren't formulaic in the spirit of filmmakers gone by who've told American stories that were personal and universal as well.
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I'm not a proper traveler. I don't like to be challenged or have too much of a change and prefer a week away just to relax.
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Hairdressers are a wonderful breed. You work one-on-one with another human being and the object is to make them feel so much better and to look at themselves with a twinkle in their eye.
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Opera was the cinema of its time, so to bring back that popular appeal, you just need to unleash its visceral immediacy and excitement. Most productions don't manage that - but when an opera does do it, you never forget it.
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When you get successful, you can do pretty much whatever you want.
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It takes one person to give you a big chance.
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I considered myself very lucky after 'Baghdad Cafe,' and I have 'The Shield.' In every genre, I've kicked butt at some point. I'm real happy.
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That was my challenge as an actress: to be a necessary part of the office without being too aggressive.
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I think Hollywood wants to be safe. The things you do first become your calling card, and I think people just sort of go, 'Well, we know he can do that.' They kind of put you in that hole.
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Architecture is unnecessarily difficult. It's very tough.
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Well, it is curious what lasts and what doesn't. Publishing empires and whatnot would pay anything to figure it out. But they can't figure it out.
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With Shakespeare, there's no subtext; you're speaking exactly what you're thinking constantly.
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I never publicise in advance what I'm going to be singing because I never quite know until I start. I often change my mind halfway through. I sometimes throw in stuff about politics or Shakespeare or do songs in Yiddish.
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From the time I was 16 to really up until turning 21, the roles were really, really few and far between. I had people say that I just wasn't a good singer. They didn't know what to do with me; I would never fit in any markets. I almost quit acting altogether.
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You're always in a different headspace when you make each record, so hopefully they're all different. You just pick up things that you wish you hadn't done on the first one.
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You were not supposed to show off in Negroland because you are supposed to be perfectly decorous and well behaved. You were also not supposed to tell any stories that reflected badly on the group because that reflected badly on the race. I use past tense, but it still feels like present tense.
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The only thing I really wanted to be was a beatnik, and look what happened: I ended up being in a band.
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One cannot attain divine knowledge till one gets rid of pride. Water does not stay on the top of a mound; but into low land it flows in torrents from all sides.
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Design my own line? No, I just like the culture.