ASAP Rocky Quotes
Quotes to Explore
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We no longer dare to believe in beauty and we make of it a mere appearance in order the more easily to dispose of it.
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Nevertheless, there is another threat on the horizon. I see this threat in environmentalism which is becoming a new dominant ideology, if not a religion. Its main weapon is raising the alarm and predicting the human life endangering climate change based on man-made global warming.
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We love those who know the worst of us and don't turn their faces away.
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My first published work was when I was 19, in 'Playgirl.' It was an odd experience but exciting.
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We are in favor of greater free markets.
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It's more like can I build a group of characters and can I tell some universal truths that feel real and aren't formulaic in the spirit of filmmakers gone by who've told American stories that were personal and universal as well.
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I'm not a proper traveler. I don't like to be challenged or have too much of a change and prefer a week away just to relax.
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Hairdressers are a wonderful breed. You work one-on-one with another human being and the object is to make them feel so much better and to look at themselves with a twinkle in their eye.
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Opera was the cinema of its time, so to bring back that popular appeal, you just need to unleash its visceral immediacy and excitement. Most productions don't manage that - but when an opera does do it, you never forget it.
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When you get successful, you can do pretty much whatever you want.
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It takes one person to give you a big chance.
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I considered myself very lucky after 'Baghdad Cafe,' and I have 'The Shield.' In every genre, I've kicked butt at some point. I'm real happy.
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That was my challenge as an actress: to be a necessary part of the office without being too aggressive.
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I think Hollywood wants to be safe. The things you do first become your calling card, and I think people just sort of go, 'Well, we know he can do that.' They kind of put you in that hole.
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Architecture is unnecessarily difficult. It's very tough.
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Well, it is curious what lasts and what doesn't. Publishing empires and whatnot would pay anything to figure it out. But they can't figure it out.
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With Shakespeare, there's no subtext; you're speaking exactly what you're thinking constantly.
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I never publicise in advance what I'm going to be singing because I never quite know until I start. I often change my mind halfway through. I sometimes throw in stuff about politics or Shakespeare or do songs in Yiddish.
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I've been really aware of how important it is to me to just stay in the moment and enjoy it while it lasts. Because that's all you've got. If it ends, I'll move on to doing something else. If it lasts, great.
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There are three orchestras in Munich, all world-quality, in a city of one million. Yet every hall is full.
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Everyone thinks I have a coffee plantation in Sierra Leone, but I have a cashew crop project. I wrote about a woman who owns a coffee plantation! When you are talking about a woman writer coming from a hot country, there's a complete assumption that she is writing about her own life.
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To sit beside the board and drink good wine And watch the turf smoke coiling from the fire And feel content and wisdom in your heart, This is the best of life; when we are young We long to tread a way none trod before, But find the excellent old way through love And through the care of children to the hour Forbidding Fate and Time and Change goodbye.
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Design my own line? No, I just like the culture.
