Wanda Sykes Quotes
I work hard. The staff and crew see how much energy I put into this project, and it makes them step up.
Quotes to Explore
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We are skinny; this is our work. There are lots of overweight people working in offices, but I'm not going to say, 'This girl is fat; she can't work in an office.'
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I'm a capitalist but one who is smallist and localist, and who favours businesses where owners are still in charge.
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It's great when a director like Cameron Crowe can take what you do and fit it into what he's doing. If someone's a fan of you already, they can take what you do and make it work for what they're doing. You don't know their vision, and you're thinking, 'How is this guy going to take what I do and make it work in this movie?'
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I don't think I've ever sent a text to Gordon Brown because I'm confident that he would absolutely have no idea how to receive it. He barely managed to master WordPerfect 4.1.
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The beauty of kids is they don't care who you are, which is why people like the Obamas like them so much - they treat them like normal people.
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If I could work with Joan Van Ark every day for the rest of my life I would.
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I would love to see as many of the black players as possible in today's Major League Baseball make every effort to go to the Negro Leagues Museum and get a first-hand view of how it all started.
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I learned that instead of relying on and imitating American music, there is a better chance for an Asian artist to succeed if he or she follows his or her own culture.
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I did not love reading, spelling, math and science. I struggled. I was a terrible speller.
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Now that I have kids, I don't want to do so many daredevily things anymore.
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I never thought I'd be in a position where people would be talking about my sexuality and saying how good I look in underwear.
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I put Tabasco sauce over everything. Or I put it on pretty much anything that wouldn't taste gross - I mean, I wouldn't put it on salad, but I like it on fried chicken, nachos... a lot of stuff.
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By gnawing through a dike, even a rat may drown a nation.
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If you taste something, you're not at the maximum of your ability. What I think about in competition is temperature and texture. It has nothing to do with taste or emotion.
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I always wanted to be a writer. Maybe, had I been brought up in another generation, I might have just gone into writing rather than medicine - which is not to say that I didn't also have a great attraction towards the idea of being a healer. Fortunately, I've been able to combine the two in ways I could never possibly have imagined.
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Our character is what we do when we think no one is looking.
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Well, yes, as I was a rather bad actor then and I wasn't making enough money, I thought, to make enough money to not make money as an actor, I'd better do some writing.
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More often than not, the experience of shooting the movie has been disappointing and the end product has been a mere shadow of what I hoped it would be. But immersing myself in the story - that's what I like best of all.
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There was a wonderful little short four-year time period when marvelous things happened. It started in 1908, when the Wright brothers flew in Paris, and everybody said, 'Ooh, hey, I can do that.' There's only a few people that have flown in early 1908. In four years, 39 countries had hundreds of airplanes, thousands of pilots.
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What really matters is who you are when you step on the field, and I will let my bat and my glove speak for themselves.
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You'd imagine Mick would be the happiest person in the world, and yet a lot of the times he isn't.
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I can go days without meaningful human interaction.
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Writing for Mills and Boon taught me a lot of discipline. You have to produce books in a short time scale and four a year, and it teaches you a lot.
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I work hard. The staff and crew see how much energy I put into this project, and it makes them step up.
