August Wilson Quotes
I don't write for a particular audience. I work as an artist, and I think the audience of one, which is the self, and I have to satisfy myself as an artist. So I always say that I write for the same people that Picasso painted for. I think he painted for himself.
Quotes to Explore
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'Frontline' started doing digital content in 1995. We started streaming our films in 2000.
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I began both auditioning with Pearl Jam and recording for Eleven. In the fall of 1994, I joined Pearl Jam.
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I don't think nostalgia has to be negative.
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Soon I knew the craft of experimental physics was beyond me - it was the sublime quality of patience - patience in accumulating data, patience with recalcitrant equipment - which I sadly lacked.
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To be one's self, and unafraid whether right or wrong, is more admirable than the easy cowardice of surrender to conformity.
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We did a remake of Lost in Space. Filmed it in London for four months.
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Ancient Egyptians went to great lengths to avoid change; they couldn't entirely do so, of course, but did preserve a cultural continuity for almost four thousand years.
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Karaoke is something that's near and dear and very close to my heart. I was a karaoke host when I was working my way through university. I was a full-time student and karaoke was my night job.
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I see Turkey's future as being in Europe, as one of many prosperous, tolerant, democratic countries.
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Tyrannies not only want to control your mind and thoughts but your flesh as well.
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For me, it's actually really hard to write about my real experience. Like to do a Taylor Swift. You know what I mean? It's so brave to actually write about things that happened and things you wanna get off your chest, but I'm not really there yet.
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I think women are really good at making friends and not good at networking. Men are good at networking and not necessarily making friends. That's a gross generalization, but I think it holds in many ways.
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I've never managed to keep a journal longer than two weeks.
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I believe that stories find writers, writers don't find stories. With the 'Pendragon' series, I actually had multiple story ideas and decided that instead of writing them individually, I would create a character whose journey would thread them all together.
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That's what I like to do, I like to make songs.
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My hope that Thatcher would inadvertently bring about a new political revolution was well and truly bogus. All that sprang out of Thatcherism were extreme financialisation, the triumph of the shopping mall over the corner store, the fetishisation of housing and Tony Blair.
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I want to keep a thread between the studio and the stage, and I want to flow more easily from one to the other.
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The very idea of carrying my memory into eternity devastated me, and I took refuge in atheism.
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Who would I be if I complained about having a father that provided for me? Who would I be if I was complaining about having a father who loved me? That would make me a real jerk.
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One of the pleasures of getting older and making a living the way you want to is that your social circle becomes rarified, and the people who enter have been vetted.
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I came from a family where my people didn't like rhythm and blues. Bing Crosby - 'Pennies from Heaven' - Ella Fitzgerald, was all I heard.
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Basically, you can live your life in one of two ways. You can let your brain run you the way it has in the past. You can let it flash any picture or sound or feeling, and you can respond automatically on cue, like a Pavlovian dog resp‎onding to a bell. Or you can choose to consciously run your brain yourself. You can implant the cues you want. You can take bad experiences and sap them of their strength and power. You can represent them to yourself in a way that no longer overpowers you, a way that "cuts them down" to a size where you know you can effectively handle things.
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At one point, there wasn't a black quarterback in the NFL. When you start winning, then you start seeing more. Jumping up and down and screaming and calling people names is not going to change anything.
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I don't write for a particular audience. I work as an artist, and I think the audience of one, which is the self, and I have to satisfy myself as an artist. So I always say that I write for the same people that Picasso painted for. I think he painted for himself.
