Aziz Ansari Quotes
Quotes to Explore
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You'll never get rich by working for your boss.
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I'm too self-serious for a comedy.
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I think everyone's experience with a terminal disease is so deeply personal and unique to the person, the context in which they're living and the relationships that they have.
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I always appreciate people's opinions, but sometimes I have to take a step back and remember why I'm writing and what I want to do with it. Shutting out the voices is difficult but it's been good for me.
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A war still rages over the legacy of the 1960s.
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Sweet is good. I'm not a fan of deep-fried things.
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Ricky Gervais is a genius.
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She was an enthusiastic painter of oils and watercolors. She was also very generous. I could mess with her paints and brushes all I wanted. On one condition: that I kept my brushes clean. The only art lesson my mother gave me was how to wash my brushes.
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What's important is Welsh football and that it progresses.
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II grew up in Australia, but I'm not from there originally. Like, my dad's South American, so I know what that's like to grow up in a culture that's not your own.
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If you had found the right candidate in 2000 or 2004, and you could have put that man or woman, given them ballot access in September of the election year, they could have won the election.
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I dreamed big. So it's so great to be living my own dream. I'm working in an industry that I want to work in, and I'm doing something that I love every day. So I feel really lucky to have had so many opportunities.
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My mother worked in advertising and my father was a journalist. But they split up when I was three and I grew up in a single-parent family. My mum brought my brother and I up.
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There is never a time in a company's history when cost control can be relegated to the back burner, but for a startup company, keeping costs low is a vital necessity.
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Expect nothing more from philosophy than a voice, language and grammar of the instinct for Godliness that lies at its origin, and, essentially, is philosophy itself.
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…all heroes and heroines trying to approximate, through barriers of pigmentation, to the Hebraico-Caucasian norm of Hollywood
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I used to overpack a lot and sometimes even forgot vital pieces of clothing, such as my swimming shorts and sandals. I'm much better now. I only take what I know I'm going to wear or use and always double-check my suitcase so I don't have to rush to the nearest clothing store when I unpack at the hotel.
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Being Elvis Presley's daughter is a whole lot of pressure. It's been a constant burden in my life.
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I've always appreciated directors but I have a newfound appreciation for them and producers and everyone who does what they do that actors don't see. When you have one job, that's all you care about, that's all you're supposed to focus on. But focusing on so many different things, I was introduced to how hard everyone else works too.
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I think the hardest thing I've had to learn is that just because people might speak a certain way in real life doesn't mean it's engaging in the theater.
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And having suffered for part of the war when I was a child. I was too young to really understand what was going on but one of my favorite pieces of animation now is that Goodbye Blue Sky in The Wall because that deals directly with that period in time.
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If hand-drawn animation is a dying craft, we can't do anything about it. Civilization moves on. Where are all the fresco painters now? Where are the landscape artists? What are they doing now? The world is changing. I have been very fortunate to be able to do the same job for 40 years. That's rare in any era.
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A spot was available here on the right wing, so I'm hoping I can slide in and contribute as best I can. The fact that I'm playing in a Canadian market, the beauty of Vancouver with its incredible weather and things to do, that's just icing on the cake.
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Acting is a plum gig, and then animation is an even more plum gig.
