J Balvin (José Álvaro Osorio Balvin) Quotes
Quotes to Explore
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I love to cook. My dad's a really excellent cook and his style is: Look in the fridge and make whatever there is with whatever ingredients you have and I like cooking like that, too.
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Pursuit and seduction are the essence of sexuality. It's part of the sizzle.
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It would be nice to be on the charts again, nice to be recognised.
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In human years I am 29. In actress years I'm the ripe, promising age of 18 to 35. That's how it works here in Hollyweird.
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In reality, serial killers are of average intelligence.
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Success consists in being successful, not in having potential for success. Any wide piece of ground is the potential site of a palace, but there's no palace till it's built.
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Endurance in ministry is rooted in the eternal perspective. The absence of an eternal perspective makes you vulnerable to losing heart.
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No, I'm not a French designer either. I'm from nowhere. I'm a European, old European is all I am.
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I love rhymes; I love to write a poem about New York and rhyme 'oysters' with 'The Cloisters.' And 'The lady from Knoxville who bought her brassieres by the boxful.' I just feel a sort of small triumph.
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I no longer get into stupid thought wormholes about identity and stuff. At one time, I did have some impostor syndrome about acting, but then I remembered I've been doing this since I was little, actually.
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When you start directing movies at the age of 24, you're just a kid; you don't necessarily even have the experiences to add to the story. You're working off of instinct and raw emotions and raw talent, and hopefully it's the same trajectory as growing as a person.
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I mean, Tool has a style, but we try to make all our songs sound different from each other.
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You need a great idea, but then you've got to carry it through. If you get it right, you're going to be a critical success. But not everyone who works hard gets it right, or has the success they deserve: there's an element of luck.
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Pop knew absolutely nothing about pro football.
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I think that our comfort is in our history.
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We are living in 1937, and our universities, I suggest, are not half-way out of the fifteenth century. We have made hardly any changes in our conception of university organization, education, graduation, for a century - for several centuries.
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Just take your time - wave comes. Let the other guys go, catch another one.
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In 'The Bourne Identity,' I wanted to give the audience the feeling of being in the car with Jason Bourne, not just watching him drive but be in the car with him, and 'The Wall' is the continuation of that immersive filmmaking style. Where you're trapped behind the wall with Aaron Taylor-Johnson - for better or worse, you're trapped there with him.
