The Weeknd (Abel Makkonen Tesfaye) Quotes
Quotes to Explore
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Tori Amos had a major influence on how I craft words in a song.
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I get so excited when a song I wrote that's very personal to me goes No. 1 and I look down and see people singing the words back to me.
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There's something different that happens when you're writing a song for your own record that you know you're going to sing.
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I think I've written about family and things in 'Taipei' which could be considered Asian culture.
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I'm a professional songwriter - personal attitudes have nothing to do with writing a song.
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Personal relationships are usually my biggest inspirations for writing my songs. The best way for me to write a song is to visualise the story in my head, and I start humming a melody, and before you know it, a song is born.
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It is such a gift to be able to write songs in general, but when you can share it with somebody, it is just such a pleasure. It is such a happy moment when you finish a song, and you are just like, 'Wow - that was great.'
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The buzz you get when you're playing a song and everyone is screaming and dancing and what have you and singing along is incredible.
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I did a song in eight minutes. I thought everybody could write songs that fast. But working with a lot of them, they don't.
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'Can't Get Closer' I originally recorded in about half an hour, just on my bed with a microphone. I actually re-recorded the song with a cleaner vocal take, but I decided to leave the demo version on there, just because I felt that instant where it was created is what captured the most emotion.
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When I was driving home after registration, I heard this song on the radio, a guy singing about not ever going to class in college and always hanging out and singing for his friends. I laughed and said, I can relate, because it was so much like me. I realized right then I would pull out of school and pursue a music career.
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If it weren't for the rocks in its bed, the stream would have no song.
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I made a decision when I started writing 'All is Song' to take the compliments I had for 'The Wilderness' and try to be confident and not overwhelmed by it.
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I don't like giving names to generations. It's like trying to read the song title on a record that's spinning.
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Everybody loves a good Christmas song if you do it right.
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If I had my choice, I'd pick a song that tells a story every time. There is a great deal of pleasure in doing the vocal on a number that you can put feeling into.
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As a songwriter you have an umbilical cord to the song and it's hard to expand on your understanding of the lyrics. Whereas when you cover a song you can create your own reason why you're attached to it.
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It's not just about getting a song on the radio or appearing on television. It really is about helping people change their lives one day at a time.
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It's very much a piece of myself when I write a song. I don't mean to say it's very personal, like the lyrics mean something personal to me. When I write a song, that's my taste in music – my taste in chord progressions and melodies.
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My favourite piece of music is actually 'The Dark Side Of The Moon' as a whole. For me, it's the most perfect and brilliant example of rock song writing.
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God values you simply because He created you. You are precious to Him, and your value will never change.
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And your dinner for the orchestra officials." "Haven't you ever had people coming over and no time to shop? You have to make do with what's in the fridge, Clarice. May I call you Clarice?
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When I started out in public life there used to be a saying we'd hear from time to time, that every man who runs for public office will claim that he was born in a log cabin he built with his own hands. Well, my mother knew better. And she made sure I did too.
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I wrote a song with Ed Sheeran that was kind of spontaneous.
