Yann Martel Quotes
Quotes to Explore
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Wes Craven's 'Shocker' is one of my favorite soundtracks. I don't know where that movie stands in the critical eye of cinema, but it was a really fun movie because of all the bands that were part of it.
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I wanted to make a film - and I've been wanting to do this for 16 years - about life in care, and bring it to the public's attention, because I had never seen anything, on TV or in the cinema, which said: 'This is how it feels to be a kid in care'.
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It baffles me that everything is so homogenized, because the world isn't, and yet we continue to support things that are so incredibly milquetoast.
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I am not ready to fit into the mould of commercial cinema.
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The notion of directing a film is the invention of critics - the whole eloquence of cinema is achieved in the editing room.
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In case you don't know this, we're not in the '90s anymore. Indie cinema does not reign.
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Generally the aesthetics of broadcast journalism seem to me to be incredibly primitive.
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Ray Bradbury's connections to fantasy, space, cinema, to the macabre and the melancholy, were all born of his years spent running, jumping, galloping through the woods, across the fields, and down the brick-paved streets of Waukegan.
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I love going to the cinema, listening to music, yoga and long walks along Holkham beach in Norfolk.
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I have always been clear that cinema is not my priority and that my family is.
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I'd like to be for cinema what Shakespeare was for theatre, Marx for politics and Freud for psychology: someone after whom nothing is as it used to be.
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I love moments in film where there's no dialogue, and somebody communicates something with a look that kills you. That's why I love going to the cinema.
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I prefer working in good cinema, wherever it is. I like subjects that have a universal appeal.
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Everything encourages you not to tell stories of gay lives. There is no economy yet for that kind of cinema.
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Cinema is about people, and we are a very emotional people. That is why you see those ups and those downs and those colours. That is what Indian cinema is about.
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When you're so passionate about cinema, the idea to direct your own film is really appealing.
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Foreign capital to build new cinemas will help modernize China's aging cinema infrastructure, attract Chinese consumers back into cinemas, and increase demand for U.S. films.
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I am going to produce a movie of my own. I am not going to stick to the time-tested formulae of Hindi cinema. I want to make a film for the present generation. So there will be a lot of new faces in the film.
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So what'll happen is there'll be some very good cinema experiences are going to see 3D where you have to pay more. And there'll be some bad experiences of going to see movies in 3D. And I just hope that this kind of gold rush mentality doesn't kill what could actually be something that really, really benefits the industry.
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A montage is incredibly challenging. When I can, I'd like to know what the music is going to be ahead of time because that will affect the beat, the pace of the montage.
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I'm an incredibly lucky girl. For someone who has made some very foolish mistakes and had some tough lessons to learn very quickly, I am still incredibly lucky.
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I used to watch 'Top of the Pops' when I was a kid and say 'Yeah!' or 'Boo!' at every single song. So there was nothing in the middle. You brutally put it on one side or another.
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The knowledge of God, the belief in God, is what I call an a-rational process. It's not rational - it doesn't proceed by scientific investigation - but it's not irrational because it doesn't contradict my reasoning process. It goes beyond it.
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Cinema is incredibly concise.
