Yann Martel Quotes
A great literary work can be completely, completely unpredictable. Which can sometimes make them very hard to read, but it gives them a great originality.
Quotes to Explore
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I distrust Great Men. They produce a desert of uniformity around them and often a pool of blood too, and I always feel a little man's pleasure when they come a cropper.
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Even if gas prices fall, consumers will continue to be gouged at the pump the only thing that we can be sure rises faster that the price of gasoline is the skyrocketing profits of oil companies.
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I quite like the drama of an encore. I think an encore is for those artists who are inclined to do dramatic gestures, and I certainly would say I am inclined towards them.
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There are no sacred and unsacred places; there are only sacred and desecrated places. My belief is that the world and our life in it are conditional gifts.
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My baby is amazing; even his head smells amazing. His breath, the whole thing, you could eat him! He's a big, beautiful boy. He's great.
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I often will write a scene from three different points of view to find out which has the most tension and which way I'm able to conceal the information I'm trying to conceal. And that is, at the end of the day, what writing suspense is all about.
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I remember a tour where we played 50 cities in 56 days. We also went to Europe a couple of times.
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Golf is played with the arms.
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I can remember in the late 1980s and early 1990s how many men with AIDS I saw everywhere in Key West. There were hospices and medical supply stores geared to people with AIDS. It seemed that every sick man who could afford it had headed for the warmth and the tranquillity and the gay-friendliness of the island.
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There's nothing that will change someone's moral outlook quicker than cash in large sums.
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I did some martial arts training for 'Confessions of a Dangerous Mind,' since the character was an assassin.
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You miss 100% of the shots you don't take.
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I did not love reading, spelling, math and science. I struggled. I was a terrible speller.
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People throw things at me sometimes, at big festivals.
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I remember 'Hannah Montana' came out, and I was so depressed, I started crying because I was like, 'I want to do that.'
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Each book tends to have its own identity rather than the author's. It speaks from itself rather than you. Each book is unlike the others because you are not bringing the same voice to every book. I think that keeps you alive as a writer.
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Could I interrupt here, because there is an alternative explanation, which you are particularly well placed to examine. You know the argument that it is the alchemists in the laboratories who invent the sweet new kits.
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We're never going to be able to get rid of terrorism, because there is always going to be evil in the world.
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They love putting me in the 'indie queen' box. I had some high standards in my 20s that I don't have anymore.
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I've done nothing but show up and fight, go to work inside the Octagon, outside the Octagon, and do things right. But people want to talk about me and discredit me.
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I like to get rid of things; I don't collect many things. But I do keep great photography and art books.
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I'm interested in working with great people and exploring great themes in different mediums.
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The only pressure is the pressure I put on myself, that's up to be I guess to mitigate that. I think there's always pressure that you make the right choice for the next film. You don't know what the outcome is gonna be, there's always potential to find length to your career as well. Now I'm so far from any other job skills that if I don't make movies.
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A great literary work can be completely, completely unpredictable. Which can sometimes make them very hard to read, but it gives them a great originality.
