Yann Martel Quotes
A great literary work can be completely, completely unpredictable. Which can sometimes make them very hard to read, but it gives them a great originality.
Quotes to Explore
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I distrust Great Men. They produce a desert of uniformity around them and often a pool of blood too, and I always feel a little man's pleasure when they come a cropper.
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Even if gas prices fall, consumers will continue to be gouged at the pump the only thing that we can be sure rises faster that the price of gasoline is the skyrocketing profits of oil companies.
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I quite like the drama of an encore. I think an encore is for those artists who are inclined to do dramatic gestures, and I certainly would say I am inclined towards them.
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There are no sacred and unsacred places; there are only sacred and desecrated places. My belief is that the world and our life in it are conditional gifts.
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My baby is amazing; even his head smells amazing. His breath, the whole thing, you could eat him! He's a big, beautiful boy. He's great.
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I often will write a scene from three different points of view to find out which has the most tension and which way I'm able to conceal the information I'm trying to conceal. And that is, at the end of the day, what writing suspense is all about.
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I remember a tour where we played 50 cities in 56 days. We also went to Europe a couple of times.
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Golf is played with the arms.
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I can remember in the late 1980s and early 1990s how many men with AIDS I saw everywhere in Key West. There were hospices and medical supply stores geared to people with AIDS. It seemed that every sick man who could afford it had headed for the warmth and the tranquillity and the gay-friendliness of the island.
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There's nothing that will change someone's moral outlook quicker than cash in large sums.
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I did some martial arts training for 'Confessions of a Dangerous Mind,' since the character was an assassin.
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You miss 100% of the shots you don't take.
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I did not love reading, spelling, math and science. I struggled. I was a terrible speller.
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People throw things at me sometimes, at big festivals.
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It isn't often that the logic behind a policy is so clear. But when it comes to the value of educating girls, the evidence speaks for itself.
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I remember 'Hannah Montana' came out, and I was so depressed, I started crying because I was like, 'I want to do that.'
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Each book tends to have its own identity rather than the author's. It speaks from itself rather than you. Each book is unlike the others because you are not bringing the same voice to every book. I think that keeps you alive as a writer.
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Could I interrupt here, because there is an alternative explanation, which you are particularly well placed to examine. You know the argument that it is the alchemists in the laboratories who invent the sweet new kits.
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Heartbreak was the impetus to me writing poems and music in the first place.
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I work harder than every single person I know, and the only person that is on the same level as me is my brother. If you look at the top social media stars, it's me and him. I think that's our advantage. We're not the prettiest; we're not even the funniest, we're not the wittiest, whatever it is.
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When someone writes a book review, they obviously already self-identify as a writer. I mean, they are. They're writers, they're critics, and they're writing about a book about a writer who's a critic. So I think it's really hard for people to distance themselves from what they're criticizing.
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Most of us are at war with ourselves, are our own worst enemies. We expect a great deal of ourselves, yet we do not put ourselves in a condition to achieve great things. We are either too indulgent to our bodies, or we are not indulgent enough.
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For me the visual is just as important as the music. I would never record without my red lipstick. It was my way of getting into character, sort of like Method singing.
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A great literary work can be completely, completely unpredictable. Which can sometimes make them very hard to read, but it gives them a great originality.
