Yann Martel Quotes
A great literary work can be completely, completely unpredictable. Which can sometimes make them very hard to read, but it gives them a great originality.
Quotes to Explore
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I distrust Great Men. They produce a desert of uniformity around them and often a pool of blood too, and I always feel a little man's pleasure when they come a cropper.
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Even if gas prices fall, consumers will continue to be gouged at the pump the only thing that we can be sure rises faster that the price of gasoline is the skyrocketing profits of oil companies.
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I quite like the drama of an encore. I think an encore is for those artists who are inclined to do dramatic gestures, and I certainly would say I am inclined towards them.
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There are no sacred and unsacred places; there are only sacred and desecrated places. My belief is that the world and our life in it are conditional gifts.
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My baby is amazing; even his head smells amazing. His breath, the whole thing, you could eat him! He's a big, beautiful boy. He's great.
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I often will write a scene from three different points of view to find out which has the most tension and which way I'm able to conceal the information I'm trying to conceal. And that is, at the end of the day, what writing suspense is all about.
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I remember a tour where we played 50 cities in 56 days. We also went to Europe a couple of times.
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Iowa has sent notice that the Republican nominee for the next president of the United States will not be chosen by the media. Will not be chosen by the Washington establishment. Will not be chosen by the lobbyists. But will be chosen by the most incredible powerful force, where all sovereignty resides in our nation by we the people.
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Golf is played with the arms.
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I can remember in the late 1980s and early 1990s how many men with AIDS I saw everywhere in Key West. There were hospices and medical supply stores geared to people with AIDS. It seemed that every sick man who could afford it had headed for the warmth and the tranquillity and the gay-friendliness of the island.
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There's nothing that will change someone's moral outlook quicker than cash in large sums.
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I did some martial arts training for 'Confessions of a Dangerous Mind,' since the character was an assassin.
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You miss 100% of the shots you don't take.
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I did not love reading, spelling, math and science. I struggled. I was a terrible speller.
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People throw things at me sometimes, at big festivals.
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It isn't often that the logic behind a policy is so clear. But when it comes to the value of educating girls, the evidence speaks for itself.
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I remember 'Hannah Montana' came out, and I was so depressed, I started crying because I was like, 'I want to do that.'
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Each book tends to have its own identity rather than the author's. It speaks from itself rather than you. Each book is unlike the others because you are not bringing the same voice to every book. I think that keeps you alive as a writer.
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I like to leave a film open-ended, with a lingering feeling. I'll not do sequels of any of my films till I have subjects to explore.
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When you write about a Muslim woman, like I did with my previous novels - 'Minaret', for example, which is about a woman who starts to wear the hijab - it sets all the alarm bells ringing.
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You have sensible women here [in England] but then, they are very devils--censorious, uncharitable, sarcastic--the women in Scotland have twice--thrice their freedom, with all their virtue--and are very conversable and agreeable--their educations are more finished.
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I had to work with a psychiatrist.
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We must broaden the definition of who our neighbors are, and extend the boundaries of our interest and empathy.
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A great literary work can be completely, completely unpredictable. Which can sometimes make them very hard to read, but it gives them a great originality.
