Peter Gabriel Quotes
I think that you get the mood of a song stronger if you get it right that way. On the other hand, you put some songs out live and they don't catch flight. They just flop. It is hard to tell until they are out there.
Quotes to Explore
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Even in the beginning, when we knew there was a legal argument about how much our song sounds like his song, as one songwriter to another, I wasn't sure that Cat Stevens would take that as bad.
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I used to be a drummer in a band, and I really loved playing the drums, so I look forward to the right opportunity to do that at some point. Maybe even on TV. Every single live performance I'm doing on TV, I want it to be different and unique.
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I can walk into a bookstore and hand over my credit card and they don't know who the hell I am. Maybe that says something about bookstore clerks.
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As a songwriter I hate this whole, 'If it's a sad song, it has to sound like a sad song thing.' And that goes all the way back to my days with the Format. I'm an insane narcissist, so if I have to get something off my chest, I'll get something off my chest.
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Stop acting as if life is a rehearsal. Live this day as if it were your last. The past is over and gone. The future is not guaranteed.
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In Montreal, I kept thinking, 'Pay attention: this is the Olympics! It only happens once every four years!'
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I wrote my first song when I was six or seven, a silly little song. But I used to write poems in high school - not songs.
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You still stand watch, O human star, burning without a flicker, perfect flame, bright and resourceful spirit. Each of your rays a great idea - O torch which passes from hand to hand, from age to age, world without end.
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L.A. is a very strange place. On the surface, it has an innocent appearance, like the stranger with the pleasant face that smiles and shakes your hand. But then you learn it is actually a lot less nice than you think, and there's a whole deeper, darker level.
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Dad went to Canada to learn how to fly with the Royal Canadian Air Force. He took me on my first airplane ride, where I could have a hand on the stick.
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Sometimes you feel you have the truth of a moment in your hand, then it slips through your fingers and is lost.
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We ought to think that we are one of the leaves of a tree, and the tree is all humanity. We cannot live without the others, without the tree.
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I don't want to forgive myself. That's why I hate psychoanalysis I think if you're guilty of something you should live with it. Get rid of it - how can you get rid of a real guilt? I think people should live with it, face up to it.
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We tend to think of extremes of emotions as registering, for example, you have to cry or laugh or get angry. But for the most part, we find it difficult to read each other most of the time. If you walk through the street, most people are pretty difficult to read. But they're thinking inside.
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I refuse to accept that the shackles of slavery can ever be stronger than the quest for freedom.
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My dreams were always small and puny. All I ever needed was a little house with a little picket fence by the sea. Little did I know that I would live in Malacanang Palace for 20 years and visit all the major palaces of mankind. And then also meet ordinary citizens and the leaders of superpowers.
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I think it's important to be able to say that you did live a normal life and struggled to make ends meet. It all has to do with work ethic and how I apply myself to my awesome job now. I've always been used to working because I've been working since I was four.
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When we moved to England in 1986, I was ten years old and I didn't know anything about punk or hip hop. The only words I knew in English were 'dance' and 'Michael Jackson.' We got put in a flat in Mitchum, and the council gave us second hand furniture, second hand clothes and a second hand radio that I took to bed with me every night.
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My wife has joked that if anything ever happened to me, she'd gladly live out her life without anyone else around. I think it bugs her I'm home all the time; such is the life cycle of the cartoonist, however.
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A man who lives with nature is used to violence and is companionable with death. There is more violence in an English hedgerow than in the meanest streets of a great city.
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I'd watch my parents work and think, 'Yeah, I'm going to do that.' It wasn't even a thing. It's the only thing I know how to do.
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I would have thought that I would have become one of those parents - just because it's my nature to be such a perfectionist - that anything falling short, I would have seen as a failure. But something has happened to me over the past few years - it's not Zen, believe me, I'm not at all Zen - but I'm so appreciative of even the chaos.
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Greenleaf' is about family, but also about faith and failure and real human life.
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I think that you get the mood of a song stronger if you get it right that way. On the other hand, you put some songs out live and they don't catch flight. They just flop. It is hard to tell until they are out there.
