Pharrell Williams Quotes
I'm a producer. I'm a musician. And my job is to come in and, you know, put - you know, I treat all of the artists that I work with, like, you know, the way da Vinci was looking at Mona Lisa, you know, there's an interesting backdrop.
Quotes to Explore
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It's hard to make a good movie in four weeks. It's hard. I've done it, but it's not easy.
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Funny is an attitude.
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I would say if you have a dream, follow it. It doesn't really matter whether you are a woman or from India or from wherever.
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Throughout my Enterprise career, I have been primarily operationally focused.
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We take what's shown on television as the truth, and it isn't. News isn't even the truth on television. If you look up the definition of what news is, it isn't that what we're watching on the new - it's entertainment.
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The stopwatch doesn't lie. The tape measure doesn't lie.
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It is not only our duty but our moral obligation to break from the oppression of debt. We must rise above the political considerations and do what is right for the future of our nation.
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It's the 21st century. It's healthier for us, better for the environment and certainly kinder to be a vegetarian.
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Because of what I did when I was 10 years old, I'm not living from paycheck to paycheck, and I can do things because I want to do them.
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I personally think Beyonce's a strong feminist. What she's done in music and for women is unprecedented. I love her. She definitely makes me feel like more of a woman.
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The guitar for me is a translation device. It's not a goal. And in some ways, jazz isn't a destination for me. For me, jazz is a vehicle that takes you to the true destination - a musical one that describes all kinds of stuff about the human condition and the way music works.
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I always wanted to be normal. I tried really hard, but it's like I try so hard and then people still say I'm offbeat. I've learnt to accept that and take advantage of it as an actor.
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I do think one should have clean feet.
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When I was 18, I couldn't wait to move away. I was like: 'If I ever have to come back here, I'll kill myself.' Glasgow seemed like failure and death to me back then, but not any more.
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He's really sort of the devil. He's completely emotionally detached. He has no empathy. You find that in psychopaths. It's about power with Voldemort. It's an aphrodisiac for him. Power makes him feel alive.
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I had a good guitar, and I was a young, young kid.
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My work always presents problems in our society. Those problems may be anything from injustice to freedom, and everything related to humanity.
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This is my seventh decade... and every once in a while I get a hankering to re-visit these songs again... songs with which I have had a great relationship.
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You could argue that 'Sweeney Todd' was romantic, if you looked closely at it, but it didn't impart that to its audiences. But it's large, and it's melodramatic, and it's a style I like to work in periodically.
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Beliefs are the foundation of actions. Those who believed without doubting, he would say, acted without thinking. And those who acted without thinking were enslaved.
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I've worked with people from Fred Zinnemann, John Huston, through to Richard Fleischer, all of those boys from Hollywood and so on, and Sam Peckinpah and then the Mike Radfords.
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A lot of my work involves instilling objects with the power of touch - a transference of soul, spirit, energy through actions.
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I was studying theater management, business stuff. About that time, I realized I really didn't like that, and it threw me into a panic attack a little bit. I was under the assumption that the first job you get out of college is the job you have for the rest of your life.
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I'm a producer. I'm a musician. And my job is to come in and, you know, put - you know, I treat all of the artists that I work with, like, you know, the way da Vinci was looking at Mona Lisa, you know, there's an interesting backdrop.
