Mark Foster Quotes
Quotes to Explore
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I went to South Africa on safari and came eye to eye with a beautiful leopard. We were so close; I was staring at him for a long time and I felt a recognition with my own nature.
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I get so excited when a song I wrote that's very personal to me goes No. 1 and I look down and see people singing the words back to me.
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As a songwriter I hate this whole, 'If it's a sad song, it has to sound like a sad song thing.' And that goes all the way back to my days with the Format. I'm an insane narcissist, so if I have to get something off my chest, I'll get something off my chest.
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Madonna can still produce a catchy pop song, but she hasn't expanded her artistic vocabulary since the 1990s. Her concerts are glitzy extravaganzas of special effects overkill. She leaves little space in them for emotional depth or unscripted rapport with the audience.
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We played 'Girl in a Country Song' in front of Scott Borchetta, and he loved it.
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I really like Ariana Grande, Jessie J, and Nicki Minaj's song, the 'Bang Bang' song. It's the new 'Lady Marmalade.' So good.
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I fantasise about what the future could be in terms of aesthetic and psychology. It's the most difficult thing to do because you have to start from the past - your favourite architect, your favourite song - you take it all with you.
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'Paper Planes' was an accident. It wasn't a song we made for the masses. It took two years to get popular, and there were many fights about censoring the gunshot sounds.
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People say, 'How does having kids change your writing? Do you see the world through their eyes?' No - you just become a faster songwriter... In the old days, you'd be like, 'Oh I'm gonna work on this song for a few days.'
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Wayne and Drake, it takes them so long to do a song. I understand why, because they want it to be perfect. But I think I can do a perfect song in 10 minutes.
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When I first start writing a song, I usually write the title first, then the song, and I'll sing the song in my head and think of a visual of the song. If I can't think of a visual behind the song, I'll throw the song away.
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The buzz you get when you're playing a song and everyone is screaming and dancing and what have you and singing along is incredible.
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Toil without song is like a weary journey without an end.
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Nothing can stop a great song, so just keep songwriting.
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Sometimes videos make a bad song very tight.
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When I see things that are inspiring, I must write a song about it. Some people make a t-shirt or slap something on a wall with paint, but I must make music and freestyle rap.
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I did a song in eight minutes. I thought everybody could write songs that fast. But working with a lot of them, they don't.
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The first song I learned on the guitar was a Kenny Chesney song called 'What I Need to Do'; it was just an easy song to play... and it was really cool to see that come full-circle a few years later and have him record a song that I was part of.
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It can even be a single note which defines the entire song.
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I take my inspiration for the song writing from little experiences, not even if I've experienced them myself but say if something has made me sad, I will use that emotion. I just use everyday life and write about it.
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All you must do is accept all that is unacceptable to you.
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Everybody knows, when you have a band, there's always going to be a hierarchy, and there's always going to be some issue where ego gets involved and causes some kind of shake-up.
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I definitely did look up to John. We all looked up to John. He was older and he was very much the leader; he was the quickest wit and the smartest.
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A timeless pop song is the hardest thing to do as a songwriter.
