Mark Foster Quotes
Quotes to Explore
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I went to South Africa on safari and came eye to eye with a beautiful leopard. We were so close; I was staring at him for a long time and I felt a recognition with my own nature.
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I get so excited when a song I wrote that's very personal to me goes No. 1 and I look down and see people singing the words back to me.
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Madonna can still produce a catchy pop song, but she hasn't expanded her artistic vocabulary since the 1990s. Her concerts are glitzy extravaganzas of special effects overkill. She leaves little space in them for emotional depth or unscripted rapport with the audience.
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We played 'Girl in a Country Song' in front of Scott Borchetta, and he loved it.
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I really like Ariana Grande, Jessie J, and Nicki Minaj's song, the 'Bang Bang' song. It's the new 'Lady Marmalade.' So good.
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I fantasise about what the future could be in terms of aesthetic and psychology. It's the most difficult thing to do because you have to start from the past - your favourite architect, your favourite song - you take it all with you.
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'Paper Planes' was an accident. It wasn't a song we made for the masses. It took two years to get popular, and there were many fights about censoring the gunshot sounds.
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People say, 'How does having kids change your writing? Do you see the world through their eyes?' No - you just become a faster songwriter... In the old days, you'd be like, 'Oh I'm gonna work on this song for a few days.'
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Wayne and Drake, it takes them so long to do a song. I understand why, because they want it to be perfect. But I think I can do a perfect song in 10 minutes.
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When I first start writing a song, I usually write the title first, then the song, and I'll sing the song in my head and think of a visual of the song. If I can't think of a visual behind the song, I'll throw the song away.
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The buzz you get when you're playing a song and everyone is screaming and dancing and what have you and singing along is incredible.
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Nothing can stop a great song, so just keep songwriting.
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Sometimes videos make a bad song very tight.
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I did a song in eight minutes. I thought everybody could write songs that fast. But working with a lot of them, they don't.
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The first song I learned on the guitar was a Kenny Chesney song called 'What I Need to Do'; it was just an easy song to play... and it was really cool to see that come full-circle a few years later and have him record a song that I was part of.
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When I was driving home after registration, I heard this song on the radio, a guy singing about not ever going to class in college and always hanging out and singing for his friends. I laughed and said, I can relate, because it was so much like me. I realized right then I would pull out of school and pursue a music career.
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Everyone needs a theme song! It should make you feel like a million dollars.
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I think that young Australians ought to be taking language education much more seriously. I mean, you know, every day I'm meeting people with expertise, ability and talent in fields where I want to learn so much more; science, for example.
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I had the lyric 'Chip Don't Go' and a few words, and my wife came in and said that it sounded like a good song. I thought I'd finish writing it up and posting it to YouTube. I didn't realize it was going to take off like it did.
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I'm an appalling cook. I can just about create a glass of orange juice and a ham-and-cheese sandwich.
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It's not the machine itself that does the trick. The machine merely acts as an intermediary between the sensitive and the spiritual force. It is an extension of the sensitive. It magnifies the capability of the sensitive and acts as a link of some sort. It enables the sensitive to perform his function.
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A timeless pop song is the hardest thing to do as a songwriter.
