George Michael Quotes
Quotes to Explore
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You cannot do only one thing.
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So now I don't have time to practice drums. It's been five years since I've touched the drums.
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Nothing is as frustrating as arguing with someone who knows what he's talking about.
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If you're throwing someone off a roof, you're throwing them off the roof. It's there. You don't have to do anything extra with that. The audience is obviously going to react to that because it's such a heightened thing to do. But in the other moments, you really look for ways to craft those, because they're more important, honestly.
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All the details of the life and the quirks and the friendships can be laid out for us, but the mystery of the writing will remain. No amount of documentation, however fascinating, can take us there.
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I strongly believe that crossing the aisle for the good of the American people is more important than party politics.
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I don't have a competitive bone in my body, so the last thing I want to do is be competing with people.
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Working on the accent helped, enormously. I will tell you that when I brought Michael a correct 'British' accent, one that my dialect coach was happy with, he hated it.
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Audiences are so much more sophisticated than they've ever been. They expect a lot more. I don't think because it's an hour of your Thursday night rather than an hour and a half of your weekend that you should be gypped at all in quality.
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I am not a fashion freak!
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The scariest thing about receiving praise at a young age is the fear of burning out or losing it, or proving people right that you were just a novelty. Obviously, I can see mistakes in things that I've done or said and can see flaws in things I've made, but that's just part of growing.
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I always keep a supply of stimulant handy in case I see a snake, which I also keep handy.
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I was in the U.S. about 15 years. Especially in New York. And then I came back to Japan.
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I like David Lynch; I like Stanley Kubrick. I'm a big fan of Kubrick.
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Old religious factions are volcanoes burnt out.
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Sexual harassment in the workplace confuses rewards for performance with rewards for attractiveness and sexual availability.
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These external regions, what do we fill them with Except reflections
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Let's just say I didn't get invited to a lot of frat parties.
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Unlike a celebrity, there's nothing I won't try and nothing I won't talk about when it comes to my hair. If I were to get a tattoo on my inner upper arm, it would read, 'Change thy hair, change thyself.'
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There are some secrets which do not permit themselves to be told. Men die nightly in their beds, wringing the hands of ghostly confessors, and looking them piteously in the eyes - die with despair of heart and convulsion of throat, on account of the hideousness of mysteries which will not suffer themselves to be revealed. Now and then, alas, the conscience of man takes up a burden so heavy in horror that it can be thrown down only into the grave. And thus the essence of all crime is undivulged.
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I try to always go for something... very interior, following thoughts and memories, something that I think is difficult to do on the screen, which is essentially a third-person medium.
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I loathe when architects only analyze architecture in intellectual, nonvisual ways. I really love direct response, and that's very pop. I don't want to discuss abstract transparencies with a bunch of kooks.
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Celebrity and secrets don't go together. The bastards will get you in the end.
