Benjamin Bratt Quotes
The first car I ever owned was an Italian sports car, a convertible, and I've kind of owned everything under the sun since then.
Quotes to Explore
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I know that there are going to be people that don't like my music, but I think in the industry itself it is always that, 'Oh. you're from the 'X Factor.' There have been certain radio stations that will not play your song because you are from the 'X Factor,' yet they'll play another song from an artist from another TV show.
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My role is to embody the Black Opium woman - I suppose you have to be the living embodiment of all the intangible things the brand stands for.
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Gossip is the art of saying nothing in a way that leaves practically nothing unsaid.
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I really like 'Roar' and 'Dark Horse.' 'Dark Horse' I really like, and I feel I would sing that in the bathroom; I would buy that album, and I think Katy Perry's amazing!
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I'm not a really religious person, but those moments onstage feel like some sort of religious experience because no one holds back, especially 'Stay With Me' when I finish the show. It kind of turns into an anthem when I perform it live, and it feels like there's a lot of love in the room.
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I will be developing artists for my new label. The rest is in God's Hands.
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Parodies of commercials are by no means new and have been popular going back to black-and-white TV shows of the '50s.
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I had two sisters carried away in a chain-gang - one of them left two children. We were always uneasy.
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There are some things that money can't buy: peace of mind, for starters, and lean muscle mass. Neither the Queen of England nor the founder of Microsoft can put in an order for either one.
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Nothing exists except through language.
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An unlimited America was the vision for the nation set forth by our Founding Fathers. It is the vision enshrined in those two great charters of freedom: our Declaration of Independence and our Constitution. Many of America's most intractable problems stem from the fact that we have strayed from that vision - and lost direction.
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Mostly, I don't write overtly personal stuff.
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That's my dream: one day, I want to standing on the stage on Broadway. I sing; my dancing is terrible, but I can be trained. That's my dream. That's something I really want to work on.
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Early impressions are like glimpses seen through the window by night when lightning is about.
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I went to a Catholic all-girls school, and we would play cassettes of music we liked, and when it was my turn, they would laugh at my choices. I would play Billie Holliday, Elmore James and Howlin' Wolf, but it was fine; if I had to listen to their choices, they had to listen to mine.
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There's a difference between being posh and being rich.
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Like all of my fictions, 'Sinner' is a mirror. Look into it and you will find yourself. What you do with what you see is your choice.
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If at first you don't succeed, failure may be your style.
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I have to tell everyone everything that's going on. It is different once you're married, because that's sacred.
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I grew up 150-200 miles from any city. You simply didn't have much connection with the outside world. So my dreams were always to get out. It's a familiar kind of thing, I think, for anybody in a small town.
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When you start a new project, you wonder whether it's the right choice.
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I long to be free-desperately free. Free as the stillborn are free.
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If I have to pretend to be anything else than French, then I know it's work for me. It's not that it scares me, but it's work. I cannot just pop up on the set and say 'Okay, today I'm Italian!'
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The first car I ever owned was an Italian sports car, a convertible, and I've kind of owned everything under the sun since then.
