Kelsea Ballerini Quotes
Quotes to Explore
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To live in New York is to see the world as it is to come.
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Writing has been handed to me on a plate.
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Being a celebrity, I don't even have to talk.
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It seems to me that 'women's writing' by nature would not seek equivalence in the male world. It would be a writing that sought to express a distinction, not deny it.
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I've spoken with friends who are rabbis and priests and we've agreed that most people have an emotional attachment to their faith, a desire to fulfill their spiritual longings, but they are not experts in understanding the history of their religion.
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I know that I came into the world with what I call 'big dharma' - with a blueprint to teach self-reliance and a positive loving approach to large numbers of people all over the globe. I am ever so grateful for the circumstances of my life that allowed me to be pretty much left alone and to develop as I was so intended in this incarnation.
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I still consider myself a working-class girl and would send my kids to public school.
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'Die Antwoord' just has a nice ring to it.
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I do not consider myself beautiful.
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At night, I love dressing up. I love putting on an outfit.
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Baking is my pastime. I just love creating things. But it's not what I want to do for a living. Acting is what I want to do.
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A novel, I think, is partly about the contemporary and partly about the eternal, and it's the balance of that that's difficult to achieve.
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When someone tells me about Malala, the girl who was shot by the Taliban - that's my definition for her - I don't think she's me. Now I don't even feel as if I was shot. Even my life in Swat feels like a part of history or a movie I watched. Things change. God has given us a brain and a heart which tell us how to live.
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I'm a plethora of stolen jokes and kitschy references.
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I play for India, I play for the 100 million people of my country.
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Writers are so important.
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I think every professor and writer is in some way an exhibitionist because his or her normal activity is a theatrical one. When you give a lesson the situation is the same as writing a book. You have to capture the attention, the complicity of your audience.
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I love all the attention, people noticing me. 'There's the gymnast. There she is!'
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I asked the producers when I was doing 'Y Tu Mama Tambien' if they could give me a VHS recording of the film that I could show to my family, because in Mexico and Latin America, when you do a film, you don't expect anybody to see it, especially not in the cinema.
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What makes Broken Lizard, I think, is our timing.
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Only those who still have hope can benefit from tears.
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Her album is very much what she wanted to say, and it's funny going through the process with her and knowing what these songs are about and watching her mature into what she is now an artist as opposed to an 'American Idol' winner, ... That was probably the most fun I've had on a session. She was so much fun and very laid-back, but very sincere.
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I wrote a song several years ago while I was in college called 'Muscadine Wine.' I really didn't know if it had potential or not, if it was good or bad or what. I played it for my roommates - who I played ball with - one night, and I knew they would tell me the truth. They loved it, and that encouraged me.
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In my opinion, it's all about the song and the performance, not the gender.
