Carole King Quotes
Scary in the idea it could be a little overwhelming to have 70 or 100 clowns in a public space. Intriguing in that it could be something interesting. I'm up for any kind of public art.
Quotes to Explore
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I don't have a wallet. I carry my driver's license and a couple of credit cards in my phone. That, and a money clip.
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It does make me sad that there's a lot of great songs out there, and they're not going to see the light of day because they're competing with these tailgate songs.
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I need instant gratification.
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I am not a person to be pressured - by anybody or any nation.
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I'm not afraid to be lonely at the top.
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I'm famous by default. I came out of the womb, and people wanted to know who I was because of my parents.
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Chris Jericho is a great guy. He's beyond hysterical. He's good people. They're really good. Chris wanted me to throw down a solo. He sent it to me and I knocked it out.
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By channeling my inner heiress, I created a new opportunity for young heiresses.
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If I'm elected president, we will repeal every word of Obamacare.
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Spiritual relationship is far more precious than physical. Physical relationship divorced from spiritual is body without soul.
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My big love was the Beatles. I was more into music.
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I think it's like, you know, you can't get ahead of yourself, because no amount of success or exposure or opportunity is going to really matter or be ultimately fulfilling unless you can be totally present in what you're doing right now.
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I was raised Jewish and bar mitzvahed.
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What makes Ireland inclined toward the drama is that it's a great country for conversation.
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Even when a person has all of life's comforts - good food, good shelter, a companion - he or she can still become unhappy when encountering a tragic situation.
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People love my collard greens. They love my macaroni and cheese. They love the gumbo. They love my Jamaican jerk or my Jamaican curry chicken. They love the jerk, though. And they love my Mexican food.
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I read mails throughout the day but answer mails more in the morning and evening.
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I've always romanticized the late '40s and '50s - the cars, jazz, the open roads and lack of pollution. Now there are more vehicles, less hitchhikers, more billboards and power lines and stuff. People wrote wonderful long letters that took months to receive, and now everything is email.
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I like my hands. They do most of the talking.
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Some people call me a legend and the last of the greats, and I appreciate it.
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What I always meant by that was that I do believe that a lot of directors, and writers, and sometimes producers just lose their edge because they haven't seen anybody or talked to anybody or been with anybody who isn't a kind of replica of themselves for a long period of time.
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Consequently, in the chain of reactions accompanying the creative act, a link is missing. This gap which represents the inability of the artist to express fully his intention, this difference between what he intended to realize and did realize, is the personal 'art coefficient', contained in the work.
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I think I might have been a more interesting actor, had more of a career earlier on, if I had more formal preparation. When I see something ten years later that I was in I think, 'Boy, would I love to do that over.'
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Scary in the idea it could be a little overwhelming to have 70 or 100 clowns in a public space. Intriguing in that it could be something interesting. I'm up for any kind of public art.
