Elgin Baylor Lumpkin (Ginuwine) Quotes
I'm the kind of cat that can finish three songs in a day. Two or three songs in a day. If my voice is up to it and I feel up to it, I can finish two or three songs in a day.
Quotes to Explore
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You get kind of bored being in catalogues all the time.
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Even in the beginning, when we knew there was a legal argument about how much our song sounds like his song, as one songwriter to another, I wasn't sure that Cat Stevens would take that as bad.
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You can't try and make something you think someone else will like. You can only make what you like. How can you make a song that Yo-Landi Visser likes? You don't know me. You'll never understand me.
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This is kind of weird, but I eat lemons with salt as snack. They're so good!
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I wouldn't want to cover a Hank Williams song in a country-western way. It doesn't occur to me instinctually to re-create productions. I'm interested in re-creating songs. Putting different clothes on them.
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I love C-3PO; I love the girl from 'Ex Machina' - these kind of robots that have so much soul that you feel for them.
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San Francisco has long been a leader in the arts, nurturing generations of painters, sculptors, poets, novelists, playwrights, film-makers, and performing artists and innovators of every kind.
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I became kind of a drop-out in science after I came back to America. I wanted to photograph.
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I fantasise about what the future could be in terms of aesthetic and psychology. It's the most difficult thing to do because you have to start from the past - your favourite architect, your favourite song - you take it all with you.
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As an actor, I'm my own worst critic, but after awhile, really, when you watch 'Moonrise Kingdom', it's such a fantastic film that you sort of get sucked into the story, and then you kind of forget about everything else.
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Cyberpunk was really a reaction against old boy sci-fi which was about white guys in space who would come up with some kind of technological thing.
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You learn a whole lot more about a person if they have bad breaks and all those kind of things.
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That's my favorite part about songwriting, the way you write a song, and someone else might hear it a different way.
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If you are a good writer - and I think I am - you are able to handle any kind of group and imagine their lives.
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To write a love song that might be able to make it on the radio, that is something that is terrifying to me. But I can definitely write a song about that chair over there. That I can do, but to sit and write a pop song out of the clear blue sky, that is very difficult and I admire the people that can do it.
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I did a song in eight minutes. I thought everybody could write songs that fast. But working with a lot of them, they don't.
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It feels as if I never get my just due.
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Whatever you read, there's no better place to read than the cockpit or the berth of a boat. It's kind of like being in a womb.
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Half of us are blind, few of us feel, and we are all deaf.
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There's no huge, deep message in any of the songs. We recorded a few months of being human.
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I've had some interesting roles along the way, but they tend to be cause-driven. They're always about something. There isn't time for character work as an actor because you're fighting the cause or mourning the child or fighting the disease, etc.
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In the first place, I'm pretty thorough about whom I choose. I instinctively look for the kind of actor who is going to be trusting. There are all kinds of insecure people out there called actors.
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I'm the kind of cat that can finish three songs in a day. Two or three songs in a day. If my voice is up to it and I feel up to it, I can finish two or three songs in a day.
