Berlie Doherty Quotes
I love writing plays because they are living, fluid things that are energised by the producer, designers, musicians, actors and audience.
Quotes to Explore
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I remember when I was growing up. My great wish was to understand who I was and how I fit in the world.
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When I was about four, people used to walk up to my mom and say I should be in commercials.
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For those unfortunate enough to experience it, long-term unemployment - now, as in the 1930s - is a tragedy. And, for society as a whole, there is the danger that the productive capacity of a significant portion of the labour force will be impaired.
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I learned so much in Zimbabwe, in particular about the need for humility in our ambition to extend mental health care in countries where there were very few psychiatrists and where the local culture harboured very different views about mental illness and healing. These experiences have profoundly influenced my thinking.
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My failures have been errors in judgment, not of intent.
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Part of Michael's uniqueness, I think, comes from the fact that he worked with music. He had a tape which he gave me with many different compositions, really eclectic. These pieces of music were sources of inspiration.
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I never said most of the things I said.
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When I got a million subscribers, it just sort of snowballed from there because a lot more people show interest. They're like, 'Who's this? They've got a million subscribers; maybe I'll like their channel.'
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Dancing has always been a passion of mine.
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It goes without saying that it's hard to attain a certain level of success.
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Hindi films are so deceptive. I thought Mumbai was this big, grand, beautiful city with sea-facing flats.
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I knew that I wanted to be an actor; how to go about it was the question. I went to Australia for my studies; from there I told my dad that I also want to do a course in performing arts, but my father refused. So I completed my studies and came back. But I kept poking him, saying that acting is something that I want to do.
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I've definitely become smuttier. When I first started out, I had these aspirations: 'I'm not going to do jokes about anything crude because I'm bigger and better than that.' But then, I don't know... It makes me laugh, so I started doing it.
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Eventually you just have to realize that you're living for an audience of one. I'm not here for anyone else's approval.
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I don't need fame and I don't need power and I don't need wealth. I'm in need of friends, which I have found in abundance.
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Whenever I write a new song, it always happens when I come back from Europe or Egypt or something like that. It's always from travelling.
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I'll talk about these things, but it's just, you know, you only get so much time and I'm much more interested in what I'm going to be doing next year than in something I did 10 years ago.
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Let me tell you that I love the United States.
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Sometimes I think your face and your bearing and your energy have so much more to do with the jobs you get than the actual work and the time and the effort that you put in, or the talent even.
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The point is to know how to use the colours, the choice of which is, when all's said and done, a matter of habit.
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Nothing teaches you as much about writing dialogue as listening to it.
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I'm really not livable with when I'm rehearsing because I'm living the character.
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I love writing plays because they are living, fluid things that are energised by the producer, designers, musicians, actors and audience.
