Kevin Mitnick Quotes
Quotes to Explore
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I suppose Spotify is a good thing. The ads are quite annoying, but a lot of people seem to like it and use it. I don't myself, but it seems like a good idea, and the labels are getting a huge amount of money off it, but the artists aren't, so that must be good for them... but not us.
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No one can complain about earning good money, but for me, it's being able to help my family out, put my brother and sister through school, take my family on holiday. That's where I get the biggest buzz, not buying a pair of £500 shoes.
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We could have gone with much bigger labels and more money, but we wanted to go with a company that is LA based, all in the same building, and really understands what the artists want.
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Money is in some respects life's fire: it is a very excellent servant, but a terrible master.
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I don't want to make money; I want to make a difference.
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You start to become successful, and everybody starts to drive your money train to the bank, and they're not thinking anymore about what you want as an artist or if any of that even matters to you. It genuinely upsets people in my life that I don't care about money, and that's not my problem.
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I just feel like, with rappers, there's so much complacency. It's like, 'Oh, I'm a rapper. I'm successful. I make money. That's all that matters.' But there's a lot of stuff going on in the world. Whether or not you're aware of it, it's happening.
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I took English courses in college, but I don't have an English degree. I have a degree in economics.
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I've never seen anyone handling pans in the streets of New York, and if I did I doubt I'd give them money, unless I needed a pan. I do give money to homeless people, whether they ask or no.
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The pledge drive has everything going against it as broadcasting. It's repetitive. It's ad-libbed by people who can't ad-lib. It's about asking for money, which is something nobody wants to hear, even from their own relatives.
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A rich man is nothing but a poor man with money.
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I wrote small stories here and there, then bigger ones. Some were even written for money. I signed up for a writing class and snuck my first assignment on a yellow legal pad in a partner's office while he read through my memo.
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But I did make some money doing commercials. I did fourteen in one year.
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There seems to be an inclination among rock musicians to be very carefree with money, but I negotiate the best flight and hotel deals on our tours to maximise the band's income - I don't want too see too much taken off the top line.
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If you have a line of business - I know this as a CEO - or if you have a teenager - I know this as a parent - who have a spending problem, what do you do? You quit giving them money.
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I like the fact that this kind of family has been seen in a movie a million times: teenage kids, the family is a bit strained and they don't have enough money, but in the background the guy used to be a Gene Simmons type.
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I've spent more money on my theatres since I bought them than I did buying them.
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New York as an industry is the best city for real estate. You're in a very transparent market. If you need to liquidate, you make three phone calls and you could sell something, even in the worst market. It is also less forgiving; if you make a mistake you can lose money.
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You like to think with young adults that with your books, a little part of it has reached them and will stay with them. It is great to be part of an eight-year-old's world.
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I'm a schizophrenic mix of wannabe glamourpuss and absolute slob, and my style is very much magistrate-meets-barmaid.
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When I was in South Africa, I went for dinner with some friends, and I knew more about their history than they did - it just hasn't been told.
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I wound up getting my degree in sports medicine and nutrition because I wanted to work in the medical field. But I wound up taking a trip to Los Angeles and decided being an actor sounds pretty cool, too.
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I love directing more than anything in the world, and I love being in the editing room. I love cutting. When I'm shooting, I cut it in my head anyway. That's not to say that it always turns out that way, but you have a sense when you're composing a sequence or a scene how you want it to look anyway.
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I wasn't a hacker for the money, and it wasn't to cause damage.
