Kevin Spacey Quotes
Quotes to Explore
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I was taught to play that way when I was in high school and even before I got to high school.
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I'm an actor; I want to play roles, not a role.
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You get on the radio by writing your own songs. But we had the dilemma of not being able to play anywhere because we weren't able to play anything that anyone wanted to hear. So we learned songs that we thought that we could do without puking.
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The best players will play. That's the way it will always be.
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There's such a sense of theatre in getting glammed up; it's like putting on a play or short film.
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When I'm not working... I'm an actor! I'm auditioning! I like to hang out, have fun, drink, club, meet boys, look for boyfriends, play MASH, the usual.
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I had aches and pains when I played. No player is ever 100 percent, 80 percent, 85 percent. Guys that play 158 or 162 or 145, we are all in the same boat.
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I'm from New Orleans. There's a lot of vampire mystique and mythology that resonates there, and I was fascinated by it. I always wanted to play one.
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We know that the elements in play in a show like 'Confederate' are much more raw, much more real, and people come into them much more sensitive and more invested, than they do with a story about a place called 'Westeros,' which none of them had ever heard of before they read the books or watched the show.
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I didn't know Albert back then - I just learned to play that way. He and I were the only guys that played left-handed. Then left-handed people came from every direction.
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How do I act so well? What I do is I pretend to be the person I'm portraying in the film or play.
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The debt we owe to the play of imagination is incalculable.
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My drummer, bass player, and guitar player sing backgrounds. They play and sing. I can sing all the harmonies, but I can't do it alone.
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I grew up playing about 15 instruments and the way that I was able to accomplish that was by cutting my classes, hanging out in the band room all day, and going from one instrument to the next to the next, until I learned how to play everything by ear.
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I wanted to play incredibly challenging, multifaceted characters. Because we are all a puzzle.
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I was the last one to screen test for The Hardy Boys. I'd like to play that's not as clean-cut as Frank Hardy. I play him as straight as possible.
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Experience without theory is blind, but theory without experience is mere intellectual play.
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If I play, I try to concentrate on producing my best.
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One has followed the other in an endless circle, for it is certain that as man's insight increases so he finds both wretchedness and greatness within himself. In a word man knows he is wretched. Thus he is wretched because he is so, but he is truly great because he knows it.
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We need to be I think equally sensitive to the injurious power of certain kinds of speech acts but also to the subversive and possibly liberatory effects of certain kinds of play.
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I would like to write a movie and, if it wasn't too crazy, also direct.
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I've given a lot of talks over the years on the subject of entrepreneurship. The first thing I find I have to do is to dispel the persistent myth that entrepreneurial success is all about innovative thinking and breakthrough ideas.
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If you only notice human proceedings, you may observe that all who attain great power and riches, make use of either force or fraud; and what they have acquired either by deceit or violence, in order to conceal the disgraceful methods of attainment, they endeavor to sanctify with the false title of honest gains.
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I dont play villainy. I wouldnt even know how to play it.
