Ahna O'Reilly Quotes
Quotes to Explore
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The difference between eccentricity and originality in historical studies is often difficult to detect at first encounter. When a radically new interpretation of a large segment of history makes its appearance, time is needed to sift the evidence.
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It can be frightening to turn your back on what others think is right. But I'm not the same as a lot of people - I'm quite artistic and quite eccentric sometimes. If you honour that, you fit into yourself better - and people accept you for what you are.
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I love cycling.
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When bad men combine, the good must associate; else they will fall one by one, an unpitied sacrifice in a contemptible struggle.
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The biography of a writer - or even the autobiography - will always have this incompleteness.
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If there's a will, prosperity can't be far behind.
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War is over if you want it.
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You cannot always control what goes on outside. But you can always control what goes on inside.
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'Good English' is whatever educated people talk; so that what is good in one place or time would not be so in another.
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Unfortunately or fortunately, in order to become acquainted with the idiom of country or rock music, it is necessary to occasionally play in a bar. Bars are a rehearsal place.
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I swear to the Lord, I still can't see, why Democracy means, everybody but me.
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Belief is not restricted to a brief affirmation based on imitation; rather, it has degrees and stages of development. It is like a seed growing into a fully grown, fruit-bearing tree; like the sun's image in a mirror or in a drop of water to its images on the sea's surface and to the sun itself.
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He who lives by the crystal ball soon learns to eat ground glass.
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Police can only act on intelligence.
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People, when they come up to me, are like, 'Did we go to high school together? Or did I make out with you at sleepaway camp?' And oftentimes, yes, that is the answer, because I went to a giant high school and made out with everybody.
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The American Negro has no conception of the hundreds of millions of other non-whites' concern for him: he has no conception of their feeling of brotherhood for and with him.
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The typical output deal from a studio is 10 to 14 movies a year.
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I'm lucky to have a wife and a child that keep me grounded.
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We want to pigeonhole things and people, but it is absurd to regard me just as a furry wig-and-britches actor.
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My dad was this Jack-of-all-trades, entrepreneur type. I secretly think he may be a spy, when I really think about it and I kind of connect the pieces. That's what led us to moving to Japan when I was four.
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I love the art of acting, so I don't care if I'm in a movie with 10 people, two people, or by myself. I just really enjoy it.
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I always tried to design something new and of the moment. The idea was not to make something that would last, but to make something a woman could really wear when she needed it, like a good friend.
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The classic war movies of the post-Vietnam era have generally taken on grand, philosophical themes: the meaninglessness of war, the grinding down of man by the machine - the machine being war itself, represented by someone like Gunnery Sergeant Hartman in 'Full Metal Jacket,' the sadistic marine who turns his boys into instruments of death.
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I could probably do a documentary on acting classes; I've taken so many.
