Aimee Bender Quotes
Language is the ticket to plot and character, after all, because both are built out of language.
Quotes to Explore
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For me, I'm always looking for the opportunity for a character that challenges me and lets me play two for the price of one.
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I've made up little mantras for myself, catchphrases from a screenwriting book that doesn't exist. One is 'Write the movie you'd pay to go see.' Another is 'Never let a character tell me something that the camera can show me.'
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I think 'North by Northwest' and 'Rope' and Rear Window' and 'Psycho' are on my list of favorite all time movies. I just think his kind of command as a director was almost unparalleled, and I feel like in certain ways the sort of character-based thriller owes more to Hitchcock than anyone.
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What we've seen of Rey, she looks like she can handle her stuff. So most of the comments I get are from parents who say how wonderful it is that their little girls can see this character.
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Wit is the appearance, the external flash of imagination. Thus its divinity, and the witty character of mysticism.
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As an actor, I've always wanted to do characters that would help me find my connection with others and connect all of us together. You always want the energy of the character, the spirit of the person, to enter you. I've been doing this for 26 years and some of the things I've done are always with me.
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I'd like to do something where there's a strong female character and some action. I've done a few stunts in the past.
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When you choose your friends, don't be short-changed by choosing personality over character.
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I'm a rational person, and I'm not a method actor. You don't need to call me by my character's name while I'm not shooting.
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Escapism, we are led to believe, is evidence of a deficiency in character, a certain failure of temperament, and like so many -isms, it is to be strenuously avoided. 'How do you expect to get ahead?,' people ask. But the question altogether misses the point. The escapist doesn't want to get ahead. He simply wants to get away.
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It's always been my dream to just continually do really cool indie movies, character-driven stuff. I would love to do more theater on a larger scale. I'm just excited for the next thing that comes along that I'm salivating over. I think a little more guerrilla would be really exciting to me.
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I think a lot of people think I'm doing kind of a character onstage, but what you're really getting is just me.
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Character in a saint means the disposition of Jesus Christ persistently manifested.
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So they've actually - it's not that her character is a singer, but she had ambition to do that at an earlier time in her life. So I've actually sung two or three times now on the show.
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My books are character-driven. They're not driven by the story.
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I bought the rights to this book, 'The Ploughmen,' by a Montana writer named Kim Zupan, and I've written the screenplay, and I really feel pretty strong about it. It's really hauntingly beautiful. It's got some suspense and great drama, but it's a real character thing.
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I've always loved pinup art, and I've always enjoyed drawing women. I think it was a conscious decision that has resulted in me getting almost exclusive work on comics where the main character is female.
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I learned a lot from Dick Wolf. I'll always remember playing that character because it was such a good character. It was great to be able to be a character like that for television. I think the thing that I'll bring from the whole experience, the whole 10 years, is I had never been interested in the television business before.
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I was having pretty bad anxiety attacks and stuff, and I think a lot of it had to do with my physical environment. Deep down I've always had a pretty strong connection with nature, but I've suppressed it for so long while living in the city. I think it caught up to me. I started really bugging out and needing wide-open space. So it was that simple. That and social anxiety. I felt like I was existing too much in nightlife.
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I've always had confidence. Before I was famous, that confidence got me into trouble. After I got famous, it just got me into more trouble.
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I usually describe my father as a man given to impenetrable solitude. If I turn the phrase I can apply it to Johnny. Impenetrable happiness. For a long time I couldn't enter his life because his happiness, or appearance of happiness - his unending smiles - locked the door. An ingenious strategy, to surround the thorns with a castle.
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There's no point considering something which is very unrealistic.
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To describe Peter Thiel as simply a libertarian wildly understates the case. His belief system is based on unapologetic selfishness and economic Darwinism.
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Language is the ticket to plot and character, after all, because both are built out of language.
