Johann Wolfgang von Goethe Quotes
Only that type of story deserves to be called moral that shows us that one has the power within oneself to act, out of the conviction that there is something better, even against one's own inclination.
Quotes to Explore
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When I watch cop shows, I really enjoy them because you can really follow the story and get involved, and the characters are always really interesting.
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I'm not a very big fan of 'Slumdog Millionaire.' I think it's visually brilliant. But I have problems with the story line. I find the storyline unconvincing.
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This basic thing I always do: 'What happened between the character's birth, and page one of the script?' Anything that's not in the story, I'll fill in the blanks.
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Honestly, there are so many things about structuring a story for film and telling a story for film that are really different from doing radio.
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I was also the romantic lead in The Boston Strangler - I was the only one that lived to tell the story - so I called myself the romantic lead.
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The reader is going to imprint on the characters he sees first. He is going to expect to see these people often, to have them figure largely into the story, possibly to care about them. Usually, this will be the protagonist.
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It's really a sad story, and I liked that. The songs on this album talk about relationships in every aspect.
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Narrative drives most of economics. Everything seems to be part of a story, and how that story is told often leads to critical error.
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As an actor, I'm my own worst critic, but after awhile, really, when you watch 'Moonrise Kingdom', it's such a fantastic film that you sort of get sucked into the story, and then you kind of forget about everything else.
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At times, the curve/fat/plus convo tends be this 'out of the dark' story, like, 'I used to be insecure, but now here I am.' But that is not my reality, and for most of the people, that isn't their reality, either.
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When 5150 came out rock was king. Post Nirvana and Pearl Jam 1996 is a different story.
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Reading a Lydia Davis story collection is like reaching into what you think is a bag of potato chips and pulling out something else entirely: a gherkin, a pepper corn, a truffle, a piece of beef jerky.
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My books are character-driven. They're not driven by the story.
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A good story gives you more of a license to be forward and progressive with the music.
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Kabir Khan is that rare director who manages to merge Bollywood formula with a good story.
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Rag & bone images always reflect the authenticity of the brand. Their images have character and tell a story.
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I like to let the story flesh itself out, and usually, the characters make their own decisions as things get under way. Dialogue especially seems to write itself once I'm familiar with the characters and their backgrounds.
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The story of Americans is the story of arrested metamorphoses. Those who achieve success come to a halt and accept themselves as they are. Those who fail become resigned and accept themselves as they are.
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Tonight's show is about doubt. Or maybe it isn't - haven't made my mind up yet.
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I did 'Love Letter' and 'Write Me Back,' and those were fun albums for me to do because they took me back to music I love.
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I'll still be on Who Wants to Be a Millionaire for the next couple of weeks but I will be moving off camera and becoming the full time CEO of Channel Nine.
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Part of my big message with all this is that if you are alive, you know all you need to know about the message of classical music, because more than any other music, it is about the way life really is.
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Only that type of story deserves to be called moral that shows us that one has the power within oneself to act, out of the conviction that there is something better, even against one's own inclination.
