Caroline Goodall Quotes
The influence of Steven Spielberg to my career is unquantifiable. Every day on the set with him is a master class in filmmaking.
Quotes to Explore
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We continue to be bullish on China.
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But we must create in each person a sense of responsibility in order that each one of us can have the right to enjoy all his rights.
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Relinquishing apparent national sovereignty does not have to entail a loss of national sovereignty, but can actually be a benefit.
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I've been called Mr. Patient Money because I have the patience to work through challenging circumstances.
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We must defend what we have achieved so far.
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Sometimes new voices have the most spectacular vision. It is uncluttered and organic.
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We will win an election when all the seats in the House and Senate and the chair behind the desk in the Oval Office and the whole bench of the Supreme Court are filled with people who wish they weren't there.
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I just get focused on whatever is in front of me. When I was filming Crossroads, it had all my focus. Now I'm all focused on finishing my recording so I can get that out. It's just day by day.
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I think that T.V. shows are more like working at a home. You know you're going to the same place every day, working with the same people, the same cast and crew. You're in a dressing room instead of a trailer, so I think that that's more of a normal sort of lifestyle.
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There is nothing in my work that can be taken as blasphemy.
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My songs are very personal, which means they are fantastically therapeutic to write, but performing them night after night is emotionally draining.
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Babies are smart. They can tell the difference between a responsive face and a blank face, wiped clean of emotion.
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I first started asking big questions when I was 12, and by big questions, I mean, 'Why are we here? What is this business? We're alive for a few short decades and then poof, we're out of here.'
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I love the crowds at festivals because they're so chilled out.
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Small ideas won't help Illinois' future.
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We must not let daylight in upon the magic.
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I think that if you're improvising on TV, it's a great way to help the dialogue between actors and writers.
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I have a long-standing interest in what I like to think of as 'forbidden knowledge:' methods of unarmed killing, lock picking, breaking and entry, spy stuff, and other things that the government wants only a few select individuals to know.
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I remember when President Bush, George W. Bush, came into office, he focused on No Child Left Behind, and with - and before very long, suddenly, Republicans were thought of as being as interested and as competent in education as Democrats, and why? Because they were talking about it and doing something about it.
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When I go to business meetings, I'm still told way too often by some receptionist, 'The mail room is downstairs,' to believe that racial perceptions don't still exist. But I figure there are always going to be knuckleheads no matter how many of their herd get stuck in the tar pits of progress.
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People know what I look like. I take photos on my own, and I don't edit them, so people know.
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I never excluded any genre on my first record.
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I want to avoid becoming too styled, too 'done' and too generic. You see people as they go through their career, and they just become more and more like everyone else. They start out with something individual about them, but it gets lost.
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The influence of Steven Spielberg to my career is unquantifiable. Every day on the set with him is a master class in filmmaking.
