Kimberly Guilfoyle Quotes
Quotes to Explore
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My focus on the budget, though, has played second fiddle to what I believe is even more important - creating jobs.
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They don't have a lot of appointment viewing. What television depends on, one thing 'Larry King Live' was - whether you liked it, didn't like it - it was appointment viewing.
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Procrastination is opportunity's assassin.
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What I've learned is that people have a desire to talk after the first line of reporters go away, and they are no longer speaking out of shock.
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Never judge a person if you don't know him.
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I used to joke that I came to England - not to the U.S. where most Koreans go - because I like Arthur Conan Doyle and Agatha Christie.
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I have born-again Christians in my family, and they are completely against abortion... Everybody's got to stop being afraid of it real soon. Who's going to do it if a woman's network doesn't? People are going to be dying.
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If you think the system - not you - but if your viewers think that the current political system is working well and serving the interest of our country, then what we're doing will not be attractive.
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All the jokes in my films, the comedy, they're not me, I just try to hold a big mirror up to us.
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It's true: a lot of sportspeople really struggle to find something to do when they finish. It tips them into all sorts of strange things. With ex-footballers, it's really scary. I think 70% of them get divorced within five years. It's hard. You go from being really famous to not that famous. Your salary drops through the floor.
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When he said we were trying to make a fool of him, I could only murmur that the Creator had beat us to it.
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I would say issues around human rights - either you're going to take a hard stance, or you're not. You can't borrow money from China the way the U.S. has done and then turn around and say, 'But you've got a human-rights problem.' You can't be half pregnant.
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I can't imagine a person becoming a success who doesn't give this game of life everything he's got.
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There is an idea, the basis of an internal structure, expanded and split into different shapes or groups of sound constantly changing in shape, direction, and speed, attracted and repulsed by various forces.
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I'm like, over love. Crush, smush. I can't. I'm giving up on love at this point. I'm hoping for a crush. Actually, no. I don't want a crush. I want someone to crush on me.
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I've still got a small fitness and conditioning business where I travel round the world doing stuff for individuals and corporations, mainly fitness training.
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Eighteenth century American furniture and the design of the architects Greene and Greene are my special love.
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Not unless I do all these ancient and Italian or French or Baroque in the beginnning, I do German.
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Then I started to do furniture and interiors for a friend and just to get stuff in a magazine, and then slowly started to build up and started to doing exhibitions.
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The earliest paintings I loved were always the most non-referential paintings you can imagine, by painters such as Mondrian. I was thrilled by them because they didn't refer to anything else. They stood alone, and they were just charged magic objects that did not get their strength from being connected to anything else.
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What I am proposing is that Nationalism has to be understood, by aligning it not with self-consciously held political ideologies, but with large cultural systems that preceded it, out of which — as well as against which — it came into being.
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We can be judged in many ways.
