Joan Jett Quotes
Quotes to Explore
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We are very luck to be women, so even if we're wearing trousers, I always wear them with some lace underwear or a very feminine bra - I like that.
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Whether I sound like Sammy or not is purely coincidence. You have got to hand it to him, he sings his ass off. There is no moss on that stone.
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As I went between the Islamic Society in my college and university, the mosque, the halal takeaway, and visited the homes of my male Muslim friends, it was entirely possible for me to get through my day without interacting in any meaningful way with a single non-Muslim.
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Time has changed and now is the age of spending.
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Ultimately life is disease, death and oblivion. It's still better than high school.
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I think that casting is probably the most important thing in television production.
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In 'Laurence Anyways,' Nathalie Baye is Laurence's mother, and she is quite an awful mother. Still, she is the only one in the end who truly accepts her daughter.
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I have a little dictaphone and if a sound takes my fancy or if a lyric comes to me in the middle of the night I'll just record it there and then.
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I think it's unfair that people can't give assets to whoever they want. When I die, my assets can go to my wife. And a gay person - you ought to have a system where maybe you can just say, 'You can give your assets to anybody you want.'
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I don't necessarily love the sports per se, I love the stories behind them. Also in a kind of perverse way I like to study what it does to us, why we care so much. It's caring about something that's utterly meaningless.
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Although we have enough healthcare support, often it doesn't reach the poor and needy. In this scenario, technology is the best solution.
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God has just given me such an amazing journey and able to play; it's been so much fun. I'm having a blast!
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I was about 14 when I started with a theater group; it was like a stage group on the weekends alongside school. And it was run by a group of guys who'd been to drama school themselves in London. So they introduced us to techniques that they'd learn about, and they kind of informed us about improvisation and screenwriting and all of that stuff.
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I am writing a book more improbable than 'The Interrogative Mood' that I call 'Manifesto'. It's two guys talking who speak artificially conveniently.
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There comes a time when you have to stand up and be counted.
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I was always pretty decent at fast stick work or doing stuff that seems impressive that's not really; I was pretty tasteful and had good ideas musically. But I had a terrible sense of tempo, which is like being a blind painter. The conductor would just rip into me, and it lasted for years.
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It was a good place for getting lost in, a city no one ever knew, a city explored from the neutral heart outward, until after many years, it defined itself into a jumble of clearings separated by stretches of the unknown, through which the narrowest of paths had been cut.
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I stand by all the misstatements that I've made.
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It's really important for your team to be not just feel empowered but actually be empowered.
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Earliest musical memory is probably being scared stiff with my family's band as a youngster on stage playing the conga drums.
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I went through a period of being disillusioned with touring.
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Everybody's a bit screwed up, you know. You can take it as symptoms of a disorder, or you can take it as personality. Me, I'd rather think it as parts of personality.
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Science fiction is not about the freedom of imagination. It's about a free imagination pinched and howling in a vise that other people call real life.
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My guitar is not a thing. It is an extension of myself. It is who I am.
