Kimbra Lee Johnson (Kimbra) Quotes
Quotes to Explore
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Especially working in infectious disease, it's very interesting because these infectious diseases, these agents, they evolve over time. So it's very much an arms race and understanding how each changes to protect itself and to continue. And so it's very much this puzzle-solving but with this great urgency and importance in what you find.
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Our mission is to help founders and anyone or anything that helps founders helps us with our mission.
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I don't mean to offend anybody, but I think that we get a lot of scientists now who are bent into a system, and we lose some of their boldness by that. Obviously, you have to learn the ropes, but I think it's important to do that without hammering out the radicalness that makes innovation happen.
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I need a little bass and I don't even need that crazy bass to break your face. I just want it to sound good when I have my favorite song.
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All writers are the same - they forget a thousand good reviews and remember one bad one.
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'Shameless' was such a weird time in my life because I never really experienced any kind of role that put me that much in the spotlight before.
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There's no handbook for parenting. So you walk a very fine line as a parent because you are civilizing these raw things. They will tip the coffee over and finger-paint on the table. At some point, you have to say, 'We're gonna have to clean that up because you don't paint with coffee on a table.'
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My father was a construction worker most of his life. My mother, when she came from Guadalajara, Jalisco, Mexico, to the United States, never had a chance to go to college either and became a clerical worker. But they did nothing but build this country.
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Some people think that if their opponent plays a beautiful game, it's okay to lose. I don't. You have to be merciless.
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I'm just going to have fun. Maybe that will be the most important thing to do.
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With 'posts' running in the millions, Internet message boards have become an essential part of the savvy investor's arsenal.
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Jason Momoa became a really good friend of ours when he played Khal Drogo. We loved hanging out with Momoa, and suddenly we couldn't bring him to Belfast anymore.
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You know what it's like: you don't want to read your old books again. All you can see are the flaws, what you would do differently.
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Take seriously the traditions, the Christian roots, and all the values that are the basis of the civilisation of Europe.
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If I had my druthers, I would be a brain in a jar, with a burlap skirt around the cart I'm on - I don't attend to my physical being much.
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There's been quite a clear upswing in nationalist sentiments. Everyone is talking about it, in Turkey as well.
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I got married very early, and in no time at all, we had three children. And it seemed to me I had an obligation to support them.
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I'm a working actor. I don't make my own work, so it's the opportunities that are presented to me.
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I learned there's an amazing unexplored territory in terms of narrative. Before, I thought the unexplored territory was the form, the way you shoot a movie. Now, I'm learning about the beautiful marriage between form and narrative.
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When I first started out in the industry, I was 12 or whatever, and I wanted to be on something so bad, and I didn't know what I was going to be on. At the time, I was in school, and I was working on drama and theatrical stuff, so I never thought that I'd end up going to comedy.
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My time of martial arts was traditional.
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So actually war is politically profitable, financially profitable, morally depraved.
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When I first walked into 54 Below, I had this kind of deja vu experience and tried to imagine what this was like back in the day when I would come here at night after doing 'A Chorus Line.'
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Obviously I don't really go to church any more - no time.
