Chris Daughtry Quotes
I get to hang out with Billy Bob Thornton at his house. We hang out over there every time we're in L.A., because he doesn't go out. We'll hang and he'll play us some of his tunes. It's pretty awesome.
Quotes to Explore
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I get offers all the time from film makers, but they are unknown quantities. I don't go there and do experiments.
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I call myself a feminist, not a feminist filmmaker. If somebody asked me if I had a feminist sensibility it would be pretty hard to deny, but is it the theme of my work? Not necessarily. I'm interested in a lot of things.
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I don't take on big things. What I do, pretty much, is make the big things small and the small things big.
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The 'Islam vs. the West' dialogue ceased to be about real people a long time ago.
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I came up in the theater, and I learned pretty quickly that reading a review, whether it's good or bad, can strangely affect the next performances, because you're reacting to something that's been said about you. So I tend to avoid that stuff pretty studiously.
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I actually spend very little time listening to any new music.
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I'm not going to change the world overnight. It's one person at a time, and hopefully they're people in positions of power who can help people get in those roles and really, truly embrace colorblind casting.
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What's funny in 'The Mayor of MacDougal Street' is how Dave Van Ronk talks a lot about the time and how exciting it was and how electric it was.
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Music is the best means we have of digesting time.
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I think great artists have no time to waste with having disproportionate egos and irrational requests. They're too focused on their work to actually lose themselves in hysterical spirals where they become monsters or tyrants.
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In school I was in the dark room all the time, and I've always collected stray photographs; there's a great deal of memory in them.
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I think I first realized I wanted to be in country music and be an artist when I was 10. And I started dragging my parents to festivals, and fairs, and karaoke contests, and I did that for about a year before I came to Nashville for the first time. I was 11 and I had this demo CD of me singing Dixie Chicks and Leanne Rimes songs.
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Time will heal everything.
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Whenever our neighbour's house is on fire, it cannot be amiss for the engines to play a little on our own.
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That was' one time when my technique absolutely deserted me, I must admit. There was a wax face that he had created himself to cover his own ugliness. I was in his clutches and I had to hit him in the face.
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I don't want to be 50 years old and rapping, man. I'm pretty sure nobody wants to do that.
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I still love radio, but TV is also an awesome platform.
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Communications devices were always used to effect change, to effect revolution. Telephone, telegraph - these all seemed like very big enhancements at the time.
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As I look over my work, I mean every time I look over my early work, I see, yes, I could do that then and then I could do that and that... That may be the hardest thing for a writer, at least for a poet, to tell what the identity of his work is.
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I have tried 99 times and have failed, but on the 100th time came success.
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I'm sometimes asked about my productivity, which I find a bit embarrassing to be honest. I don't really have a particularly interesting answer to this question.
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I started learning everybody's riffs, from Donny Hathaway to Jeffrey Osborne to James Ingram. That helped me create my own style of singing.
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I am just so appreciative of God's love. It's higher than any mountain, wider than any ocean, and wider than the whole universe. His love is just that amazing!
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I get to hang out with Billy Bob Thornton at his house. We hang out over there every time we're in L.A., because he doesn't go out. We'll hang and he'll play us some of his tunes. It's pretty awesome.
