Paul Simon Quotes
Quotes to Explore
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Tori Amos had a major influence on how I craft words in a song.
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I think the line is where you're in the studio, you're creating. That belongs to you as an artist. Nothing should taint that. I shouldn't be thinking about what the fans want, I shouldn't be thinking about what the radio wants, what the label wants, what your manager wants, a song for the chicks, a song for the street.
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When you're collaborating with somebody, there has to be a spirit of cooperation. There are a lot of times when you just can't persuade someone to write a certain type of song, either musically or lyrically.
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As a songwriter I hate this whole, 'If it's a sad song, it has to sound like a sad song thing.' And that goes all the way back to my days with the Format. I'm an insane narcissist, so if I have to get something off my chest, I'll get something off my chest.
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People say, 'How does having kids change your writing? Do you see the world through their eyes?' No - you just become a faster songwriter... In the old days, you'd be like, 'Oh I'm gonna work on this song for a few days.'
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I like finding that common point between another song and my music. It's like between people; you can be of religion or another, from this country or from another country, but we're all basically the same. It's just the same with songs.
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If I waited for inspiration every time I sat down to write a song I probably would be a plumber today.
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Sometimes videos make a bad song very tight.
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One of my favorite albums in the world is Bruce Springsteen's 'Nebraska.' Each song has this very distinct character who has something profound to say.
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When I see things that are inspiring, I must write a song about it. Some people make a t-shirt or slap something on a wall with paint, but I must make music and freestyle rap.
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My favorite show tune has got to be Stephen Sondheim's 'I Remember Sky.' It's probably the saddest song of all time; I sing it to myself in the mirror. No, I am kidding. That's the joke.
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What you hear about the band is always going to be more disturbing than any particular song.
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The chief glory of every people arises from its authors.
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I've never dated anyone in Hollywood - or anyone famous, for that matter. I don't know that I'm ever gonna write a song that you will know who it's about.
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I'd like to do a completely off-the-wall collaboration. I would like one of my songs to be the hook to a rap song. That would be so much fun!
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I made a decision when I started writing 'All is Song' to take the compliments I had for 'The Wilderness' and try to be confident and not overwhelmed by it.
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I love the smell of a theater. The old rooms and the carpet and all that stuff. I love to tell stories. Even before I was doing music, I saw myself as a director. So most of my songs come in a play form, you know, where there are characters and stories, so I like to go beyond just the song sometimes.
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It might crush a lot of people, but I've never been in the room with an artist that I've written a song for.
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Unless I am both capable of and willing to reopen the wound every time I write a song, if I choose to not look inside myself to write music, I'm really not worth being called an artist at all.
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As long as a woman can look ten years younger than her own daughter, she is perfectly satisfied.
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I'm not exactly a guy who makes new friends easily.
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The greatest threat to our world and its peace comes from those who want war, who prepare for it, and who, by holding out vague promises of future peace or by instilling fear of foreign aggression, try to make us accomplices to their plans.
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I'm sick to death of people saying we've made 11 albums that sounds exactly the same, Infact, we've made 12 albums that sound exactly the same.
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Somewhere in a burst of glory / Sound becomes a song.
