Edgar Ramirez Quotes
Carlos was a character, a character fabricated by Ilich Ramirez Sanchez, fabricated by the secret services of the epoch, fabricated by the governments of the epoch, by the radical groups of the epoch, by the communications media.
Quotes to Explore
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For me, I'm always looking for the opportunity for a character that challenges me and lets me play two for the price of one.
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I haven't gotten a lot of feedback about, 'Oh, you helped me in this way.' But on social media, people are like, 'Thank you for your positive posts,' or 'It's fun to see you grow and your character. I feel like I'm growing with you.'
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My nursery school did a production of 'The Three Little Pigs.' I played the third pig. When the wolf knocked on my door, I refused to get up and answer it because, to me, he was knocking the wrong way. I just lay there, snoring away on stage, fully immersed in my character. My dad turned to my mom and said: 'Dustin Hoffman.'
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I'm not averse to being a supporting character. I try to pick parts where I can add something.
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Wit is the appearance, the external flash of imagination. Thus its divinity, and the witty character of mysticism.
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My character in 'Batman v Superman' isn't supposed to be Japanese, but director Zack Snyder said he'd seen me in 'Wolverine' and had to get me in the film somehow. Hearing that was like music to my ears.
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I'd like to do something where there's a strong female character and some action. I've done a few stunts in the past.
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In my mind, every single female character I've written is plus-size.
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I think I would have been so much in awe of the movie set, the people and what everybody's job was, that I don't know if I would be able to concentrate on the character.
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Never jeopardize who you are for a role. Now, I'm not saying you should never change for a role, because the fun of being different characters is adapting different nuances and different parts of the character, but never jeopardize your moral compass or anything like that to have a role.
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I'm working on bridging the gap between mainstream famous and Internet famous. They're two different things, but eventually, social media will be the way to become a celebrity.
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I read the script for 'Guncrazy' in 1985 and loved it because it was one of the few scripts I'd come across that revolved around a strong female character.
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The whole idea that what is not normal should be kept secret – that's really distasteful to me.
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I'm proud that Della was sort of a prototype for TV secretaries. There really was no such established character on TV when 'Perry Mason' came along.
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Having spent two years at AOL, I would love to be able to go back to that industry knowing what I know, and I think I would be able to help the traditional media side to better understand what is coming at them, how to deal with it.
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Sudden success in golf is like the sudden acquisition of wealth. It is apt to unsettle and deteriorate the character.
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I try to think what the character is thinking. Then, hopefully, I begin to feel it. I act and react not because I'm recalling a dog killed by a fire engine, but because I'm concentrating on what the character is going through.
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All the media are horrible.
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There's an arc to an action sequence, and you need to come out the other end knowing your character better, and maybe the story has moved forward in a compelling way.
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So much of my work is as Yara, not as a character. If you're attacking my work as a philanthropist or activist, you're attacking Yara. But because of "Black-ish" and this national audience we have, I get to have a larger or louder voice.
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I used to think that if I made $50,000 I'd be the happiest guy in the world.
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Carlos was a character, a character fabricated by Ilich Ramirez Sanchez, fabricated by the secret services of the epoch, fabricated by the governments of the epoch, by the radical groups of the epoch, by the communications media.
