Stevie Nicks Quotes
That’s the words: 'So I’m back to the velvet underground'-which is a clothing store in downtown San Francisco, where Janis Joplin got her clothes, and Grace Slick from Jefferson Airplane, it was this little hole in the wall, amazing, beautiful stuff-'back to the floor that I love, to a room with some lace and paper flowers, back to the gypsy that I was.'
Quotes to Explore
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At some point, you grow out of being attracted to that flame that burns you over and over and over again.
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Jewish, black, Filipino, whatever the specificity is, it's specificity that makes a good story. And I think people are tired of seeing the same old shtick on network television. It's just a group of white people hanging out talking about their jobs. Who cares? We've seen that.
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I've fought with everyone . And now I have become so headstrong that I only do what I want.
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I'm glad we turned into a big-time touring band later in life. In fact, it's almost like we planned it out that way.
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It is not from ourselves that we learn to be better than we are.
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We develop our propensity to forgive or not to forgive by what we see illustrated at the early ages of our development.
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I think, especially living in L.A., it's very easy to get wrapped up in weekend announcements and the trades and the whole social life of the city, and to get divorced from what actually matters.
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I have no privacy anymore.
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Throughout history, it has been the inaction of those who could have acted; the indifference of those who should have known better; the silence of the voice of justice when it mattered most; that has made it possible for evil to triumph.
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Death and vulgarity are the only two facts in the nineteenth century that one cannot explain away.
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Originally, I was in both software and in online computing. The first innovation really was sort of at that time that we're marrying the telephone and the computer so that people wouldn't have to drive to the computer center. We didn't have $1,000 computers.
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You never know what the future holds, so I am just enjoying being happy, healthy, and having my wonderful husband by my side.
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I played cover gigs and traveled the country in my mom's old car, and my drummer and I set up a fake email and sent it out to agents. We pretended to be our own agent.
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It's not quite right to be sitting outside India and to be judging what is happening in India.
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I may even show up behind the camera. I love to put things together; I love to give direction. I have a great eye for pace.
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Our country is in deep trouble. To talk and re-litigate in 1998, or even what Mitt Romney said or didn't say in 1994 or 2002, I don't think most people really care.
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Anybody can be a rapper, but not anybody can be a classical artist.
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My mom watches really obscure stuff on IFC. She's a real comedy fan. She knows everything that's going on.
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One of many strengths that I often see in successful women on Wall Street is a responsible balance between risk taking and risk mitigation - the ability to assess situations smartly and make the right medium-to-long-term decisions without being lured into reckless, short-term profit-taking.
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I could say, as a member of Congress, we usually get an alert if something is going to happen at the Capitol.
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I've worked with a couple of female directors now, and I think that they're amazing. As good or better than guy directors.
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Hate came in a maelstrom, and we called it several things—racism, pedophilia, justice, righteousness—but all those words were just ribbons and wrapping paper on a soiled gift that no one wanted to open.
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Cynie Cory roams the outer reaches of the heart’s territory, from the snowy winter of family life to the tropical jungles of love. She wears her heart on her sleeve and it is as big as the country she writes about. Is she the quintessential American girl? You bet she is, part Annie Oakley, part Emily Dickinson – harpshooting poet of wild nights. She zooms in on the detritus of love – the broken fragments, the fallen leaves – and puts together a collage that is as heartbreaking as it is beautiful. Watch out – she’s driving down your street.
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That’s the words: 'So I’m back to the velvet underground'-which is a clothing store in downtown San Francisco, where Janis Joplin got her clothes, and Grace Slick from Jefferson Airplane, it was this little hole in the wall, amazing, beautiful stuff-'back to the floor that I love, to a room with some lace and paper flowers, back to the gypsy that I was.'
