Clara Mamet Quotes
Quotes to Explore
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If you look at the scientists who really make a difference, they think boldly. They're not afraid to question what they see.
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Never sit staring at a blank page or screen. If you find yourself stuck, write. Write about the scene you're trying to write. Writing about is easier than writing, and chances are, it will give you your way in.
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I think the interesting thing about the word 'posh' is that it is so relative; it's quite a provocative title because people have strong feelings about that word.
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All of these mechanisms we have for celebrating are so double-edged. So much sorrow comes out of joy.
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Folks, I've been straight for seventeen days... Not all in a row.
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Eighty per cent of my output is 'Mallory clowns on the Western canon,' and I'm happy to be that person.
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It is not whether you really cry. It's whether the audience thinks you are crying.
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I loved being in Bombay. It was a pretty thrilling place to walk around and explore.
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I can speak a little bit of Hindi but understand every word.
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I never really got paid for 'Tell It Like Is,' but I look back at it and say God knew what he was doing; he probably figured that if I had got money back in them days, I wouldn't be here now. That's okay. I'm here. And I'm still singing the song.
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I've been a bit of an electronics enthusiast and maker for a long time. I actually started the forum called ModRetro. It's an electronics enthusiast community that focuses on modifying vintage game consoles, and it's actually one of the larger game console modification forums on the Internet.
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I would say that to put architecture in the chain of history, to be able to interpret and understand why we are where we are, is quite crucial.
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I'm definitely inspired by old hip-hop.
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One of my favorite vacation places is Miami, because of the people, the water and the beach - of course - and the architecture on Miami Beach is so wonderful.
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When I was a kid, I wasn't making my choices based on anything other than 'Did I want to work that day?' or 'Did being in school sound more fun?' And I don't remember ever reading a script and thinking, 'Is this going to be a fun part to play?'
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I've done a lot of partying in my time because I didn't want to go home and I didn't know what to do.
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Well, thank you and that's for them, but for me, I want to look back at a body of work where when you do the research and you explore the psyche of a character, where she's been, where she is and where she's going.
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When I'm writing, I'm trying to access my subconscious and turn off my conscious brain. I use my conscious for research, but when I'm actually writing, I'm trying to get into a place where I'm tapping into the deeper, darker elements of what's going on.
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It was impossible to determine what he was saying, but I imagined he was telling all those present that they were nongs and maggots. I decided I quite liked watching the news with the sound off.
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When you get together with childhood friends, for example, there's an intimacy that you instantly have because you share something really profound in your past. There's a shortcut to emotional intimacy if you share your past with somebody. It's really empowering when you're reunited with people who share that.
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I believe how you measure a good movie is how many times you can see it. With comedies, I like to be a producer, because comedies can get corny and go off track real fast. I'm always the 'less is more' guy when it comes to a scene. So I'ma be the one who will keep it grounded.
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I think it's an important part of the visual effects supervisor's job to get really deeply embedded in production and keep us all focused on trying to generate the best result. I'm not proprietary about, 'I would rather do this effect than let physical effects do it.' No, let's do the smartest thing for the movie.
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I wrote and directed a movie called 'Two-Bit Waltz.'
