Clara Mamet Quotes
Quotes to Explore
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If you look at the scientists who really make a difference, they think boldly. They're not afraid to question what they see.
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Never sit staring at a blank page or screen. If you find yourself stuck, write. Write about the scene you're trying to write. Writing about is easier than writing, and chances are, it will give you your way in.
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I think the interesting thing about the word 'posh' is that it is so relative; it's quite a provocative title because people have strong feelings about that word.
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All of these mechanisms we have for celebrating are so double-edged. So much sorrow comes out of joy.
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Folks, I've been straight for seventeen days... Not all in a row.
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Eighty per cent of my output is 'Mallory clowns on the Western canon,' and I'm happy to be that person.
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It is not whether you really cry. It's whether the audience thinks you are crying.
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I loved being in Bombay. It was a pretty thrilling place to walk around and explore.
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I can speak a little bit of Hindi but understand every word.
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I never really got paid for 'Tell It Like Is,' but I look back at it and say God knew what he was doing; he probably figured that if I had got money back in them days, I wouldn't be here now. That's okay. I'm here. And I'm still singing the song.
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I've been a bit of an electronics enthusiast and maker for a long time. I actually started the forum called ModRetro. It's an electronics enthusiast community that focuses on modifying vintage game consoles, and it's actually one of the larger game console modification forums on the Internet.
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I would say that to put architecture in the chain of history, to be able to interpret and understand why we are where we are, is quite crucial.
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I'm definitely inspired by old hip-hop.
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As an author, I had spent years writing my stories on my own in a quiet room. My ideas traveled from my brain to my fingers, executed exactly as I saw fit, never veering from my own intent. TV simply doesn't work that way.
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One of my favorite vacation places is Miami, because of the people, the water and the beach - of course - and the architecture on Miami Beach is so wonderful.
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There would be nights when I would wake up and couldn't get back to sleep. So I would go downstairs and write. The staff had a pool going on how many pages of typing I would bring in here in the morning.
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When I was a kid, I wasn't making my choices based on anything other than 'Did I want to work that day?' or 'Did being in school sound more fun?' And I don't remember ever reading a script and thinking, 'Is this going to be a fun part to play?'
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I've done a lot of partying in my time because I didn't want to go home and I didn't know what to do.
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Well, thank you and that's for them, but for me, I want to look back at a body of work where when you do the research and you explore the psyche of a character, where she's been, where she is and where she's going.
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Over the years, God and St. Therese have kept me going no matter how bad things were.
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I was never much of a musical theater guy, but I have so much more respect for the art form, the physical exertion of doing eight shows on Broadway a week, I cannot even fathom it.
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I do not know what it means to be okay. I have never known and maybe I will never know. Okay is just a word I use so I won't have to talk about what's inside. Okay is a word that means I am going to keep my secrets.
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I wrote and directed a movie called 'Two-Bit Waltz.'
