Clark Gregg (Robert Clark Gregg) Quotes
Sometimes being an actor is being a song in someone else's mixtape, so I really understand why more and more actors are making films of their own.
Quotes to Explore
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I think of other artists as generous when I get inspired by their work. That's why I like curating. You don't want to take someone else's art and have your way with it. You've got to be respectful of them.
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There was a film called 'FM,' and we were asked to do the title song. And I said, 'Does it have to have any specific words?' And they said, 'No, it just has to be about FM radio.' It took a day or two to write.
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I get intrigued by a first lin and I write to find out why it means something to me. You make discoveries just the way the reader does, so you're simultaneously the writer and the reader.
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When you're in a songwriting class, and you write a song, and you hand it in to a teacher to grade, I'm still going to say that it's a really awesome song whether I got an A or a D. I learned to stick to my guns and take the tools as tools and not as rules.
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The world can be very small. That's why you have to be very careful, whoever you meet.
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There's something different that happens when you're writing a song for your own record that you know you're going to sing.
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The growth in emissions is coming from the developing world. So if we are going to get out of this, it's going to come out of a process of cooperation and collaboration. That's why it really requires a paradigm shift.
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Madonna can still produce a catchy pop song, but she hasn't expanded her artistic vocabulary since the 1990s. Her concerts are glitzy extravaganzas of special effects overkill. She leaves little space in them for emotional depth or unscripted rapport with the audience.
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My grandparents never understood why my mother Noreen chose such exotic names for her children: Damon and me. My granny insisted on calling my brother Dermot - a good Irish name - until she died; I was just known as 'wee one.'
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To me, there is nothing more soothing than the song of a mosquito that can't get through the mesh to bite you.
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It's hard to be in the shadow of a Beyonce.
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Personal relationships are usually my biggest inspirations for writing my songs. The best way for me to write a song is to visualise the story in my head, and I start humming a melody, and before you know it, a song is born.
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If you've been in a film that's seen by millions and millions and millions of people, you're more likely to be recognized for that than for your theater performances, which were seen by considerably less people. Why would I get upset by that?
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Half of the great comedians I've had in my shows and that I paid a lot of money to and who made my customers shriek were not only not funny to me, but I couldn't understand why they were funny to anybody.
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Young readers are the most challenging, demanding, and rewarding of audiences. Adults often ask why I write for the younger set. My reply: 'I can't think of anyone I'd rather write for.'
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I think that's why often people in creative fields can feel so alone is because there's a constant third eye, that constant watcher.
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I can understand why some people might look at me and say, 'What's she got to be depressed about?' I get that a lot in Britain, where mental health issues seem to be a big taboo.
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I believe it's a woman's right to decide what she wants to wear and if a woman can go to the beach and wear nothing, then why can't she also wear everything?
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There's always a place for the angry young man with his fist in the air and his head in the sand. He's never been able to learn from mistakes, he can't understand why his heart always breaks.
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The challenge in writing the songs for The Aristocats truly fell on the animators & director of the film. Robert & I wrote the initial songs for the film, just prior to leaving full-time employment at the Walt Disney Studios. Therefore, some of the songs we wrote for The Aristocats were never used. I believe, therefore, the challenge fell upon the makers of the film to select what songs made the final cut.
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If you see a bad live action film, what are the conclusions you draw? Typically, it is that they made a bunch of mistakes, a bad script, wrong casting. You get into 2D, and you get a few films that are not strong films. And what is the conclusion? That it's 2D? I beg to differ. It's a convenient excuse, but it's just wrong.
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The public doesn't want to hear people complaining about having their picture taken.
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Sometimes being an actor is being a song in someone else's mixtape, so I really understand why more and more actors are making films of their own.
